‘Presenting Lilit A’ by Arkisi

Lilit A Met Art


Presenting Lilit A by Arkisi

Earning the coveted #1 spot on Metart‘s Top Models list can take weeks, months, even years. A model makes her debut, appears in more and more galleries, works with one or more photographers, gains skill and confidence, and builds up a fan following over time. At least that’s how it usually works. But there’s an exception to every rule, and that brings us to Metart‘s newest Top Model, Lilit A.

It happened in an instant. Less than 24 hours after “Presenting” appeared on the site the membership voted Lilit A to the very top of the Top Models list. That kind of overnight success isn’t completely unprecedented, but it is rare, it is truly impressive, and it bodes extremely well for this enticing new model’s future.

There’s no precise way to determine what makes a model popular, and that’s one of the things that makes it so interesting. If there was a formula, a technique, a list of attributes to possess and steps to follow, all models would be Top Models. But it comes down to some indefinable, constantly changing, combination of qualities and factors — physical beauty, personality, skill, attitude, the artist behind the camera, the sometimes fickle moods of a discerning and opinionated membership. What does it take to become a Metart Top Model? Nobody knows with any certainty, but whatever it is, Lilit A has it!

I have no way of knowing how Arkisi approached shooting Lilit for “Presenting.” There’s a workmanlike, direct, but unobtrusive quality to the photographic style here, and it just feels right. A couple of fully clothed introductory images, then model and artist get right into it — the setting, a rather unexceptional kitchen, fades away and all the viewer sees is Lilit A. And we see everything she has to offer in impressive, often explicit, detail. In last week’s post I discussed a set without a single explicit image — “Presenting” Lilit A is filled with them, and they are the stuff feverish dreams are made of.

But there is much, much more to Lilit A than the bold and generous ways she displays her delectable intimate attributes. She has an absolutely irresistible smile, for one. She has a lively, warm, and genuine personality that makes her seem completely natural and approachable. She’s confident, but no overbearing. She can look like a fresh-faced innocent, and younger than her 20 years would indicate. But she can also look worldly, sophisticated, and knowing — there’s an entire alluring world in those big hazel eyes!

Favorites? Oh yes. #007 for that cute, over-the-shoulder, smile. #015, hot, hot, hot – and the set has barely begun! #069, offered for you pleasure. The pretty face in #090 and the adorable face in #092, two variations on the same pose. And the pulse-pounding pose and heartwarming smile in #116. Any of those shots — and so many others — help explain how “Presenting” propelled Lilit A straight to the top with such remarkable rapidity.

Lilit A Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 24th, 2015

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Art Nude Models: Met Art information.

May 23rd, 2015
Tags:

Heidi ‘Elf’

Her Hegre Profile: Heidi.

Hegre Art Heidi


Hegre Art Heidi


Art Nude Models: Hegre Art information.

May 22nd, 2015

‘Presenting Olya Fey’ by Alex Sironi

Olya Fey Met Art

Presenting Olya Fey by by Alex Sironi

Two aspects in particular struck me as I began to examine the new Metart model debut, “Presenting” Olya Fey — her face and her hands. Olya can’t help but project a warm, inviting, lively personality. There’s a light in her eyes and a smile is never too far from her lips — she simply radiates an amiable, approachable, and appealing energy. She’s pretty, make no mistake, and made prettier still by the abundant warmth of her personality. She’s also blessed with exceptional bodily beauty. She’s lithe, long of limb, with pert breasts, and additional delectable details. And that brings me to her hands.

When I say she has “happy hands” I mean that her manual extremities are expressive, almost to a fault. I don’t know Olya Fey‘s modeling history, but the way she uses her hands either reflects an acquired habit, a stylistic signature, or a lack of experience I associate with newcomers to the modeling profession. In #017, for example, Alex Sironi frames her in a close headshot, and her hands, fingers gracefully curved, float beside each side of her face. Enhancement or distraction? I lean towards the latter. Posing, pointing, framing or otherwise vying for attention, Olya’s hands make their presence felt in “Presenting” but without doing too much harm overall.

For such a sweet, natural, and warm girl, Sironi has chosen a rather formal, even stuffy, setting. Olya sits or stands next to an antique chair of leather and wood that’s been placed before an ornately decorated passage, with a similarly decorated bedroom visible in the background. But Olya, barefoot, is wearing a light and casual dress and blue necklace that are anything but ornate, stuffy, or antique — a curious contrast.

Still, Olya’s personality and beauty easily overcome what quirks or quibbles I might find in “Presenting.” Her slender body is beautifully captured in #084 and #132, among others. Her natural sweetness gets a touch of spice with a peek at her nipples in the otherwise demure #003. She displays both her physique and attitude in #046. And Sironi delivers enticing explicit close-ups that capture moist perfection (#056) as well as stylish compositions like #058, and artful, stylish figure studies like #110. With her friendly face, beautiful body, and even her “happy” hands, Olya Fey is a most welcome addition to Metart.

Olya Fey Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 21st, 2015

Katie A ‘Cionime’ by Fabrice

Katie A Met Art


Katie A ‘Cionime’ by Fabrice

When I opened the first 25 images in the Metart erotic photo gallery “Cionime,” the topmost shot in the “stack” of pictures was #006, a “nothing-showing” shot of Katie A standing on tiptoe, resting her hand on an ornate column, with a sweet expression on her exceptionally pretty face. Image #025 was directly behind that introductory shot — or at least the right half of it was. And the right half of #025 consists of the lower half of Katie A’s splendid anatomy, eagerly presented and explicitly exposed. The contrast between the two shots — sweet right next to heat — had me hooked in an instant. And that helps explain why Katie A has been moving up — way up! — in the Metart Top Models rankings.

Katie A radiates an irresistible warmth and lively, fun-loving spirit. You get the sense she’d be quick to laugh, and the smiles she shares throughout the set are natural and sincere. She’s also exceptionally pretty, with a flawless complexion, perfectly nubile proportions, an angelic face, and beguiling eyes. And along with all her sweetness, charm, and beauty, Katie A is also candidly, openly, and naturally sexy. There are shots in “Cionime” where she practically throws her pink perfection at the camera (#021), and spread wide and with nothing to hide (as in #074) she’s completely at ease. Katie A effortlessly displays both sweetness and steamy sexuality — a powerful and winning combination.

Fabrice shot “Cionime” in an ornately decorated — one might even say slightly cluttered — space. With a less appealing model this might have presented a problem, but not here! The artist moves Katie around the room. She stands, she poses on the polished floors, she lounges on and across odd pieces of furniture, and it all works beautifully. There’s a lot of variety in terms of pose and composition — figure studies, portraits, headshots, as well as mouthwatering explicit shots. And the model herself displays similar range and variety. Much of the set has her lustrous hair parted on one side and flipped fetchingly across her head. In others, however, her hair is parted down the middle creating an entirely different look, as well as mood, that adds real depth to Katie’s performance (and appeal).

Whether I’m gazing at that beautiful face, or drinking in the perfection of her pristine pink bits, Katie A in “Cionime” displays sweetness, cuteness, hotness, and plentiful prettiness.

Katie A Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 20th, 2015

‘Presenting Olivian’ by Leonardo

Olivian Met Art


Presenting Olivian by by Leonardo

Fresh, young, new models are a hallmark of Metart, and they have been from the very start. And Olivian, the Ukrainian 18-year-old who makes her Metart debut in Leonardo’s “Presenting,” is as fresh, young, and new as they come. From the first image (the sweet and demure topless shot featured at the top of this post) to the last (an explicit and tantalizing rear-view) Olivian performs impressively in her first Metart appearance.

In addition to her physical charms, which are considerable, Olivian is simply and sensationally photogenic. A competent artist — and Leonardo is far more accomplished than that — can capture physical details, but if the subject isn’t willing or capable of projecting her personality and emotions, the results can be disappointing. Not Olivian! This young woman radiates an easy confidence. She’s self-assured, unashamed, playful, engaging, and possesses a lively warmth. Looking at her is a treat, to be sure, but it’s her personality that takes these beautiful photographs and fills them with alluring, magnetic, appeal.

I must admit, I was surprised when I discovered that Olivian was only 18 at the time this erotic art photo gallery was shot. Her confidence, her very presence, makes her seem more mature. Some of this perceived sophistication may be due to her styling here, particularly her eye make-up that gives her glittering blue eyes a feline quality. But Olivian’s beauty and the disarming charm she possesses in such abundance make her a truly formidable female presence, particularly in view of her youth.

Leonardo has dressed Olivian in nothing but a pretty pair of pink and white panties. She’s on a bed, and a changing, but unobtrusive, pattern of lights is projected on the wall behind her. The artist captures everything from figure studies to explicit anatomical close-ups (#089 and #094). He also captures several truly beautiful smiles — when Olivian is amused or laughing she’s absolutely radiant (see #020 and #029 for two shining examples). Olivian’s moods are as varied as her poses and Leonardo’s compositions. She’s restrained and calm in #037, she exudes pin-up glamour in #030, explicitly exposed in #067 she remains completely at ease and projects warmth and vitality, and in #099 she’s nothing less than beguilingly beautiful.

“Presenting” Olivian, so skillfully executed by the artist Leonardo, is the perfect introduction to this delightful, delicious, and enticing Metart debutante.

Olivian Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 19th, 2015

Victoria R ‘Fitness’

Hegre Art Victoria R

Hegre Art Victoria R

Name: Victoria R
Country: Brazil
Weight: 49kg
Height: 173cm
Age: 19

Art Nude Models: Hegre Art information.

May 18th, 2015

Art Nude Models Interview: DeltaGamma

The DeltaGamma Interview: an erotic artist opens up.

If you’ve a member of Sexart (or Metart or The Life Erotic) you’re most likely familiar with the photographer known as DeltaGamma. As I write, the artist has published 126 erotic photo galleries across the three sites – 39 at Sexart, 67 at Metart, and 20 at The Life Erotic – and he’s earned an enthusiastic and vocal fan following. The fact that he’s also an active participant in the comment sections has only added to his popularity and reputation – DeltaGamma isn’t content simply to create a photo set, he’s also keenly interested in the way it’s received by the audience.

After chatting, online and off with DeltaGamma, I suggested we do an interview. He agreed, I prepared an extensive list of questions, and then things got complicated. In the interview that follows DeltaGamma discusses his background, his inspiration and evolution as an artist, and the unforeseen event that profoundly effected his career as an erotic photographer. And what’s included here is only part of the DeltaGamma story, Part 2 of the interview will appear here in the near future.

First of all, why “DeltaGamma,” what’s the significance of the name?

D: I simply picked the initials of my real name from the Greek alphabet, as a tribute to the classic beauty concept developed in ancient Greece, the reference and inspiration for my earliest work and my art in general. The name I used when I started with nude photography was actually “DeltaVenus,” which was inspired by the novel “Delta of Venus” written by Anaïs Nin, and later adapted as a movie that was directed by Zalman King and released in 1995.

What’s your background?

D: I was born in a small seaside city on the eastern coast of central Italy, forty years ago. Since then I have lived in several different Italian towns, from the north to the south of the country, and now I’m living in Rome. I attended an international Art Academy after showing some unusual drawing skills when I was very young, at the primary school, where I had also started studying English. And I attended a scientific high school, studying not only scientific subjects but also philosophy, Latin, and the arts. I can’t go too deep in Rome, Colosseum at night, by DeltaGammadetails about my life and my “regular” job since it’s outside the world of photography and very far from erotic art, but I can say that I’ve worked for twenty years in a very professional and challenging environment that has allowed me to travel a lot and learn many different skills, meet many people from all over the world – including my wife – and learn to adapt myself to different situations, react quickly, and plan my activities efficiently. I would describe myself as a self-made, happy and lucky man, an artist, a photographer, a traveler, a biker, a sailor in love with the beauty of this world and the beauty of women.

What first got you interested in the artistic potential of photography?

D: Back in 2000, during the longest of my travels – an unforgettable experience spending six months at sea – I had brought with me a photo camera. At the time I had been on a break from oil painting due to lack of time and therefore inspiration, and in a way Oil on canvas, Zoya (detail), by DeltaGammaapproaching photography awakened my inspiration again. Photography perfectly integrated my paintings and drawings, which were already oriented towards the search for harmony and beauty in reality without too much intermediation/manipulation of forms and colors, but rather a realistic interpretation of existing subjects, which were mainly female nudes.

How long had you been working as a photographer before you began to shoot nudes?

D: The beginning of my career as a photographer could actually be identified with shooting nudes, except for the very first steps when I transitioned from drawing/painting to shooting photos. I learned the basics of photography by myself, trying to catch the subject the way it was in my mind already before taking the picture, according to my own personal vision coming from my artistic path and from observing other photographers’ work.

I started using my first photo cameras in 2000 and I got my first DSLR – a Canon EOS 350D – in 2007. In my early years I shot mainly reportages of my travels and then I started shooting portraits/glamour with a Czech girl I met in my hometown during her summer holidays with her parents. That’s probably when my special feeling towards Czech girls and their country started. I went there many times, first in 1992 on a school trip to Prague – soon after the country’s first democratic elections after the fall of the Berlin wall – and I Early & unpublished work, Dominika, Prague, 2012 by DeltaGammawas fascinated by the beauty of the town and its unique atmosphere, and a few years later also by the beauty of the local girls, my favorite subjects for my nudes.

I shot my first amateur art nudes in 2003 with an Italian girl I met on a train, then I started with soft erotic shootings in a couple of workshops in Venice in 2006, and then in 2007 I finally started with my first semi-professional erotic shootings in Czech Republic and Poland – both countries I was familiar with due to my several trips riding my motorbike in the summer across central-eastern Europe.

You started contributing photo sets to Metart in early 2012, later that year you began contributing work to Sexart, and to The Life Erotic in 2013. Had you published any of your erotic photography before your work for the Metart Network?

D: Publishing my work at Metart had always been my aspiration since the beginning of my erotic shootings and I never really thought of submitting to any other website. Although my very first exposure to soft nudes was with Playboy magazine – I bought my first issue in August 1990 – my view of erotic nudes was shaped and influenced by Metart some years later. I had created my first e-mail account in 2000 and a few months later I subscribed to the Metart newsletter, soon after discovering the site. I remember I saved all the 16 preview images of the featured sets and was amazed by the beauty of models and their erotic attitude captured by the perfect photography. Metart has been my leading influence in erotic photography and one of the biggest influences on my erotic vision.

My early erotic work was closer to The Life Erotic‘s style in terms of lighting and models’ facial expressions, then evolved towards Sexart‘s main features in a way, while I was stillOriginally for The Life Erotic, by DeltaGamma a bit distant from the average Metart style, with crystal clear images and brighter lighting and models smiling and in a happy mood.

Paradoxically I started publishing on Metart first, with “Presenting” Grace C, then Sexart with Mia Sollis, and finally on The Life Erotic, also with Mia.

I only decided to give publishing a try in 2010, when I sent my first submissions to Metart. After the first feedback (good work/style but models not interesting or already published) I let some time go by, then tried again in 2011 with a few other submissions which were not interesting enough, and then finally had my first sets published in April 2012, with Grace C.

In the summer of 2011 I actually collaborated with a Metart photographer who got in touch with me, Peter Guzman. We arranged a few combined shoots to share costs and models, and I integrated some of his sets with Edwige A, as well as Mia Sollis, and Marjana A.

By the end of the summer 2011 I decided to start shooting and submitting alone, and I started with Mia Sollis and Edwige, two of the models I knew better.

Back to the question: I have actually thought of expanding and publishing my work on other erotic websites, especially when I didn’t have many sets released on the Metart Network. But recently, when I had my work released on a more frequent basis, I started thinking to be loyal to the Network for a number of reasons. One of them is that I consider Metart the top erotic website, the first and only for me, which keeps evolving in a thoughtful way, taking into account ideas and suggestions by members. The other reason has to do with a fact which happened this summer and made me reconsider several things in my life and my career, I’ll explain later.

Metart, Sexart, and TLE each have a distinct, unique style, focus, and format. Your work has appeared on all three sites. How do you adjust your style and approach when you’re shooting for Metart as compared to TLE, or TLE compared to Sexart.

D: When I shoot a model for Metart my main goal is to simply bring out the model’s beauty and her happiness of showing her intimate beauty to the viewer, connecting with him, using a location and a lighting that match this overall feel, possibly in a simple and not too distracting setting. The focus is on the model’s beauty and sensuality. One of the first sets embodying this aesthetic feel is my first with Mia Sollis, Voile, which was also reviewed by you in the Metart blog, and that’s where I actually started exchanging comments with some members back in February 2013.

For my TLE work, if we speak about open legs style, the focus is not only on beauty and sensuality but also on a more intriguing side of the model’s mood, or a fetish such as shaving, sometimes combined with the silver mirror insertions, like the one with Tess B, along with an overall “darker” feel given by the lighting, with lower intensity and higher contrast, making the setting look a bit more undefined and mysterious, like in my first set with Mia Manarote.

For TLE masturbation, and some fetish sets, the model also has to appear involved in the erotic action showing her sexuality in an almost dramatic way, the darker side of her erotic potential, pretending to be aware that someone is watching hidden in sort of a voyeuristic situation.

For Sexart I ask my models to “make it real.” Once I show them the setting and the outfit I tell them what the story is about and to believe in it, acting in a continuous action as if I was shooting a video, so that the flow of the action looks more natural, only stopping for the single shot. I also ask them to pretend I am not there and to concentrate on their own pleasure in a natural/realistic way, without exaggerating with facial expressions, but they’re allowed to glance at the camera from time to time, when they feel like or when I tell them to do it, in order to keep the contact with the viewer and remind him that the action is for him and also to give a flirty taste to some headshots which I include to let the viewer see what’s in the eyes of the model while feeling the pleasure. One of the most satisfying sets is my second with Sapphira.

Have you ever shot something for, say, Metart, but then ended up submitting it to Sexart, instead?

D: When I plan a shooting with some model in a certain location of course I already have an idea of what site I’m going to submit it to. If I had to give a priority that would be Metart, Sexart, TLE for a number of reasons, and this also reflects the number of sets. But sometimes when I am actually shooting it happens that some factors make me change Sunshine on TLE, originally submitted to Metart, by DeltaGammamy mind and switch to a style suitable for a site which is different from the initial idea. But it also happened that after taking a look at the photos before editing I realize that the overall feel of a certain set is more suitable for another site, but that’s possible from Metart to TLE, or from Sexart to TLE, seldom vice-versa (for lighting reasons) and never from Metart to Sexart (because of the poses/style). Once, after initially scheduling a Metart shooting with some models who had never done masturbation in photos, we ended up giving a try to a Sexart or TLE set (none of these sets has yet been published). And I’ve submitted sets to Metart and Sexart but then it was suggested I submit them to TLE because the photo editor found the set or the model more suitable for that site, like in the case of the first sets with Paula Shy, Sunshine, and Chloe Coco, and there are a few more.

In the studio or on location – which do you prefer?

D: I generally prefer to shoot indoor with a soft natural light from the window and a realistic setting, because I have everything in control, the ambience is relaxed with some good music, and posing is generally more comfortable for the model.

I set up a small studio in my old apartment, with a few backdrops in front of a big window, so I could use it either with natural light or with studio light, or combining the two. I have in mind my own private studio for the future, it would be halfway between a painter’s and a photographer’s studio, with plenty of natural white light during the day.

When the weather is nice and the temperature warm enough for the models, I have a nice location nearby that’s also a great option to go shooting outdoor, but it depends also on how happy the model is, because posing is usually not as comfortable as indoor, then there may be some interruptions for various reasons – the lighting conditions may change more dramatically than indoor, then there may be some logistic issues that could distract from me from focusing on the model and the posing.

But basically it’s the light of the moment that inspires me and drives me.

A typical set has about 120 images, give or take. How many total images do you shoot during a single session? And how do you approach the task of editing a set for submittal?

D: I usually shoot 160-200 images, depending on the model’s skills/attitude (beginner/experienced, willing/bored) and the lighting conditions (affecting shutter speed, therefore risk of motion blur). When I have the feeling I have at least 130-140 good images I check quickly on the display the variety of poses and if I think it’s enough I stop. But there are times when the model is so good that I just can’t stop, when we are both in good mood and the poses keep coming different and sexy. I know that I am not going to use all of the images but I can’t help, I still shoot for the fun of it. And I also like to show the model many nice pics of herself, especially portraits.

I start editing the set usually after my regular job, at night, or in the weekends, when I am not too tired. I take a look at the whole set, deleting the bad pictures, separating the repetitive shots, and selecting the good images, usually no less than 120. Then I work on Mia Sollis in a favorite location, 2011, by DeltaGammathe RAW files, starting to give the image the light temperature/tone that best matches the model, the setting and the feel of the set.

My wife Phi – a member suggested this nickname, the ancient Greek letter for “F,” because it’s the initial of her real name – is there for this phase. She both helps me find the right settings – sometimes it gets too subjective, especially when the lighting during the shooting varied – and she also does most of the editing herself, especially when the photos also need to be retouched. I prefer not to retouch unless it’s necessary to comply to the standards of photography on Metart or other sites in the Network. So there are tattoos to get rid of and skin imperfections to fix, as well as details in the setting which are not nice to be seen, in order to make the image look pleasant and eliminate unnecessary small details distracting from the main subject. This phase, for the most complicated sets, can even take up to two or three days for just one set.

Lately, as you may have noticed, my sets have become larger. I’ve started to extract some images that inspire me for artistic black and white and desaturated color treatments. These are usually images that normally would look like repetitions or be too serious in the Black & Whites, Dominika, Prague 2012, by DeltaGammaset, but that are good for a different image style. I also include close-ups and interesting details. I decided to add these shots as a bonus to a standard set, because I felt the need to let the viewer see the model in other ways, like I do whenever I shoot, trying to imagine the photos in different styles as if they were different techniques of painting or drawing.

It’s still kind of an experiment for me, especially if you consider that I started working on black and white and desaturated images not so long before including this type of work in my sets, although B&W is very close to pencil and charcoal drawing, which are one of my favorite techniques.

Members seemed to have appreciated enthusiastically so far, so I consider it kind of a trademark and even if it takes time to do it I will keep doing it willingly. The first set where I included some extra images was my first with Michaela Isizzu, although it was mostly some plain black and white backstage images, so actually the very first attempt was with one of my sets with Sunshine, also reviewed by you in the blog.

All your work for the various sites in the Metart Network have been still galleries. Do you have any interest in shooting motion pictures?

D: I would really love to start shooting movies. I did shoot a few videos with my DSLR a couple of years ago, but I haven’t edited them, and anyway I don’t consider them good Screenshot from backstage video, Connie Carter, by DeltaGammaenough yet. I have also shot some backstage video for fun. Videos are very challenging, and I think I have the eye to shoot them, but at the moment it’s a matter of time: I am working too hard to have the time to start shooting and reaching a satisfactory level, and I would need more time to edit the videos, too. I always have a very thoughtful approach when it’s about starting something I really care about, but then when I start I work very hard and it’s difficult to stop me. You can consider the wish of starting to shoot videos my resolution for 2015.

You had a severe misfortune last summer – all your photographic gear and the laptop with your latest work was stolen. How did you recover from this devastating blow, and has this experience changed anything in your approach to shooting?

D: The theft of all my gear last July was a real shock. Now, so many months later, I still think about the few seconds when I was distracted by a man crying out and running to me as someone grabbed my backpack with everything inside and ran away.

I had just come back from one of my most successful shootings in Prague, four days of hard work with Sapphira, Nici Dee, Vanessa Angel, Paula Shy, Dido A, Celeste A and a couple of other models, shooting about twenty-five sets, mostly for Metart and Sexart, and a few for TLE. In few seconds I lost everything: my photo/video gear, my laptop, the hard disks and memory cards with all the work, making the time and expenses for the entire trip a total waste. I saw the robbery on the CCTV the day after, and it was very hard to take. I stayed in bed for a couple of days, trying to get some sleep, staring at the ceiling, hoping to have some news from the police or from friends searching the markets, or from Internet, but nothing.

I stopped being a photographer for some days, suspended in a very uncomfortable situation, but already the day of the misfortune things started happening: my wife let my closest friends know about the robbery, she even wrote to [Metart Network Photo Editor] K to let her know what had happened, and then a post on Facebook kick-started the reaction of some of my most loyal fans, especially from the US, supporting and offering help, easing the shock and giving me back self-confidence little by little. My “Number One” fan in particular also alerted [Metart Network owners] Jon and Niko about the theft. In a very short time I was offered an incredible amount of support by Metart which allowed me to get back to shooting with new gear and with an appropriate budget.

In the end, although that was a very hard lesson for me, it turned out to be also an important occasion which showed me how much Jon and all the Metart staff believed in Early & unpublished work, Anaïs, France, 2010, by DeltaGammame and in my work, as well as an opportunity to find real friends from the community of regular commentators, especially from Metart. It felt like belonging to an extraordinary family. Now I am in touch with several members of this great community on a regular basis, we speak about a range of things besides erotic photography, and it’s all so fun and interesting.

The first sets released right after this disaster were with Connie Carter, first on TLE, and then on Sexart, followed by Lauren Crist on Metart, which kept me “alive” on the Network and made me experience the unexpected, incredible support from the members through the comments. I would like to thank all of them for giving me strength during those hard days.

I have also started being in touch with other Metart Network photographers, like Catherine, Luca Helios and Flora, after already being friends with Peter Guzman, Ken Tavos and Balius. I think that the exchange of ideas and points of view between artists is very fruitful, bringing the overall level of the entire Metart Network higher and higher, while the interaction with members keeps the Network evolving and facing the new challenges of modern erotic still and motion pictures.

This experience made me rethink all of my work and reconsider everything I did so far, being more aware of the actual value of all the equipment and the work itself, therefore giving more value to the efforts I do to carry out a shooting and produce a set.Venice, church at sunset, by DeltaGamma

May 17th, 2015
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Tyra ‘Student’

Hegre Art Tyra

Hegre Art Tyra

Name: Tyra
Country:
United Kingdom
Weight: 50kg
Height: 174cm
Age: 18

Art Nude Models: Hegre Art information.

May 17th, 2015

Genevieve Gandi

Genevieve Gandi Met Art


Genevieve Gandi ‘Dorang’ by Matiss

Erotic fiction inspired by Genevieve Gandi

You stroll through the meadow in the heat of the day, naked as nature intended. Naked, because you want to feel the gentle stir of the breeze against your bare skin, ruffling your hair and teasing your nipples. All your senses seem intensified. The sounds of birdsong and insects buzzing among the wildflowers, the smell of your own sun-warmed skin, the vivid colors of earth and sky, all threaten to overwhelm you. Spreading a blanket, you sink to the ground, the tangled blades of grass and flowers surrounding you. Inhaling their perfume, you feel your body cradled by the earth, tuning in to the rhythm of your own beating heart. You’ve never felt so alive.

You feel your pulse surging through your core, heat spreading throughout your body, making your fingertips tingle. A light breeze kisses your skin, starting at your toes and sweeping up your leg, up between your thighs, caressing your pussy like a soft breath from a lover. All your attention is focused on this sweet tribute to your sex from the nature goddess herself.

Licking a finger, you run it around your stiffening nipple, feeling the air cool it as it hardens. It’s pulsing, echoing the throb between your legs, a primal vibration that needs its release. Your fingers creep lower, stroking the hot, taut skin of your stomach, and lower still, over your plump mound of Venus. They skim the slick groove of your pussy; you slide them along the slippery channel again, lifting your creamy fingers to your mouth to taste yourself.

The sweet tang of your arousal engulfs your tastebuds, igniting a burning desire to be filled. You thrust your hand back between your legs, fingers gliding up and down between your pussy lips, searching out the tremor that occurs each time they hit the sweet spot. Your free hand roams over your body, squeezing your nipples, brushing hair from your face; then pressing down on its partner to increase the pressure as three wriggling fingers push their way into your honeyed hole.

Turning onto your knees, your face buried in the warm blanket, you feel the full force of the sun bless your upturned pussy as your expose yourself to its bright gaze. You pause for a moment, acutely aware of every sensation coursing through your body, then plunge your fingers back inside to pursue the rising crescendo of your pleasure. Riding your fingers, rocking your hips, you let out a cry of ecstasy that rings through the still air as your orgasm sweeps over you.

Trembling, you sink back to the ground, your pulse racing, your fingers and thighs drenched with your juices. And as your breathing slows and your eyes drift closed, you feel the earth gently rock you to sleep…

Genevieve Gandi Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 16th, 2015

Aya Beshen ‘Blue Panties’

Hegre Art Aya Beshen


Hegre Art Alma

Name: Aya Beshen
Country: Ukraine
Weight: 51kg
Height: 171cm
Age: 18

Art Nude Models: Hegre Art information.

May 16th, 2015

Ukrainian Art Nude Model: Milena

Ukrainian beauty Milena never fails to impress with her nubile fresh physique and stunning good looks.

Gallery Title: Blue Eyes

Hegre Art Milena

Gallery Title: Sensuality

Hegre Art Milena

Gallery Title: Little Miss Sunshine

Hegre Art Milena

Gallery Title: Ukrainian Beauty

Hegre Art Milena


Gallery Title: Angel Bath

Hegre Art Milena

Hegre Art Milena

Art Nude Models: Hegre Art information.

May 15th, 2015

Vita C ‘Vitalinia’ by Goncharov

Vita C Vitalinia

Vita CVitalinia

A see-through blouse is clinging to her firm breasts and as she is next to the pool and spa her body is warm, wet and supple. This is erotica properly done.

Throughout Vita is nude other than her top giving us early views of her slender young legs, thighs and unshaved region.

At times her top is pulled up over her bosom letting us see everything but other times her nipples are pointing through the transparent wet garment creating a seriously erotic vision. Her stiffened nipples poking through the fine fabric covered in water evokes a primal sense and makes one glad to be alive!

Vita is a beautiful young lady with a very sweet face and nubile body and Goncharov has done a good job suggesting impulsive erotic poses for her to assume for the camera.

Preview Gallery: Vitalinia
Art Nude Models: Met Art information

May 14th, 2015

Valerie Galleries on Hegre Art















Valerie Hegre Art


Valerie and Mike Body Language

Valerie Hegre Art


Valerie Hot as Hell

Valerie Hegre Art


Valerie Vagina

Valerie Hegre Art


Valerie Oily Delight

May 13th, 2015

Lydia A ‘Untria’ by Arkisi

Lydia A Met Art


Lydia A ‘Untria’ by Arkisi

The subject of the Metart erotic photo series titled “Untria” is a striking beauty. Her graceful, slender limbs and long, jet-black hair contribute to an overall effect that balances the delicate with the dramatic. But six of Lydia A’s most impressive attributes — or, rather, three sets of two items — really stand out in this gallery. I’d like to take a moment to sing their praises, in descending order — and by “descending” I mean direction, top to bottom, not in order of importance!

Lydia A has absolutely beautiful eyes. They’re a particularly pale shade of blue, and in certain light they can appear grey or green, but in any light they are magnetically attractive. And there’s a spirited, flirtatious energy animating those eyes — Lydia could render most men helpless with just a seductive glance and a bat of her eyelashes. #099, on her back with her head “upside down” in the frame, captures the beauty of those eyes, as does #016, a head and torso shot in which Lydia holds her right hand between her beautiful breasts.

Ah, yes, those breasts! Lydia is, overall, quite slender and delicate. In pleasing contrast, however, her breasts are wonderfully full, fabulously round, and stunningly sculpted. Clothed or stripped, Lydia’s bosom is truly beautiful, and Arkisi has taken care to include several detailed studies of those awesome orbs — see #018 for one enticing example.

And, finally, we arrive at Lydia’s third and perhaps most thrilling pair, her lips. While I feel the need to be appropriately discrete when discussing a Metart model’s most intimate attributes, I know that I can not be the only viewer who is tantalized by Lydia’s erogenous architecture. Her luscious labia are generously majora, and Lydia takes justifiable pride in displaying them with easy, candid generosity. Arkisi, once more to his credit, captures the splendor of Lydia’s sex in considerable detail, at close range and far, as well as from a variety of libido-pleasing angles. Imagine you were reclining on the floor and looked up to see #048 — the gates of heaven in the flesh.

One of my favorite images in “Untria” skillfully captures all three of Lydia A’s pretty pairs, and it somehow manages to give them equal emphasis in the bargain. In #095 Lydia is seated, her head is tilted to one side and she’s fixed an enticing gaze on the camera; her full, round breasts sport erect and enticing nipples; and her thighs are spread wide to emphasize the two-lipped prize. Those three pretty pairs make for one stunning Metart erotic photo series!

Lydia A Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 13th, 2015

Lucy Heart: ‘Ricale’ by Deltagamma

Zhenya C Met Art


Lucy Heart: ‘Ricale’ by Deltagamma

Physical beauty and an appealing personality are two entirely different things, and the presence of one is by no means a guarantee of the other. I can certainly think of women who are, by any standard, beautiful, and yet in photographs there is no charm, no spirit, no spark, or emotion to engage the imagination. And I can think of girls who project all the most attractive traits in abundance, but who still fail to catch my eye because they are not physically to my liking. But Lucy Heart? This magnificent Metart model is a thrilling example of a young woman who has it all — she’s breathtakingly beautiful and she’s got an irresistibly appealing personality. Granted, stunning blondes with playful, sultry, vixen-like personalities may not appeal to you, but for the rest of us Lucy Heart is a genuine delight.

DeltaGamma, with the experience, insight, and intuition of a seasoned artist, clearly recognizes Lucy’s gift. “Ricale” is striking in its simplicity. He dresses her in a single simple, sexy piece of lingerie, in a striking shade of deep purple. She’s in a space with a tile floor, ample natural light, and the sole piece of furniture is a clean-lined wooden table. And these few, basic ingredients are all that is needed. From image #001, all the way to its conclusion, “Ricale” lets Lucy Heart display her physical beauty and personal charm without impediment or distraction.

There are quite a few outstanding headshots in “Ricale,” no surprise when the subject has such a beautiful face. And Lucy Heart’s lively, spirited, and varied personality makes those headshots particularly enjoyable. She’s subtly sultry in #021, simply beguiling in #092, warm and enticing in #125. Full body shots are equally satisfying with pleasing poses and a range of moods — see #043, #048, and #074, a saucy pin-up, for three representative examples.

Lucy Heart is so beautiful you could simply gaze at images of her face and continue to find fresh expressions and attitudes. But everything else she has to offer is equally alluring, and DeltaGamma has taken care to catalog every luscious detail of Lucy’s physique. Intimate anatomy gets ample exposure, and Lucy presents it eagerly and generously. A shot like #063, the model delivers a striking pose, the artist captures it in a perfectly composed image, and “Ricale” reaches one highlight among so many in the series. To further enhance the offering DeltaGamma includes a generous assortment of manipulated images and several of Lucy, fully, clothed, in pre-session candid shots. “Ricale” easily earns my enthusiastic recommendation.

Zhenya C Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 13th, 2015

Darina L: Female Worship Massage

Sexy Styling & Female Worship Massage


Hegre Art


Female Worship Massage


Hegre Art


Hegre Art Rose


Art Nude Models: Hegre Art information.

May 12th, 2015

Roberta Berti by Rylsky

 Roberta Berti

 Roberta Berti  Roberta Berti  Roberta Berti  Roberta Berti

Roberta Berti by Rylsky

With the launch and subsequent success of his own site in the Metart Network — rylskyart.com — I have far fewer opportunities to critique Rylsky’s now less frequent contributions to Metart. Rylsky isn’t only a skilled erotic artist, he’s also blessed with an eye for talent, and I’m always interested in seeing the new models he discovers. And with this gallery Rylsky doesn’t disappoint. The set is filled with his signature skill and style, and Roberta Berti, the star of “Presenting,” has the physical beauty and inviting personality I’ve come to expect from Rylsky’s finds.

The very first image in the collection is among my favorites. Roberta is seated on a white couch, knees up, bare feet on the edge of the cushions. Her head is turned to the side, she’s touching her red hair with her right hand, her left arm draped casually across her knees. The model’s pose, formal yet natural at the same time, does a wonderful job of projecting mood and emotion — Rylsky has a knack for coaxing this from his models. The art direction — varied shades of white with a burst of color from the model’s pink camisole — and the artist’s masterful composition create a thoughtful and stylish image.

But the pensive, thoughtful, temperament Roberta Berti displays in that opening image is just one mood among many. This new model has a big, bright, enthusiastic attitude that’s warm, engaging, and bursting with appealing energy. She’s exuberant, playful, and spontaneous. And she’s also impressively confident and boldly uninhibited. She wears her sheer camisole for much of the set, but she’s otherwise naked from beginning to end. In the series of shots spanning #029 through #043 she presents her fantastically photogenic sex to the camera aggressively and without a shred of reservation. It is a cliché, of course, but particularly true Roberta Berti’s case: this redhead is red-hot.

Bright, lively eyes, warm, flawless skin, pert and petite breasts, and a full, round, and ripe rump are impressive physical gifts, of which this Metart newcomer can be justifiably proud. Under the guidance of savvy lensman Rylsky, “Presenting” Roberta Berti is an impressive and enjoyable introduction to a talented and appealing new Metart model.

Art Nude Models: Met Art information.

May 12th, 2015

Zhenya C ‘Tendance’ by Dmitry Maslof

Zhenya C Met Art

Zhenya CTendance

Well, you won’t need me to tell you how adorable she is. It is easy to focus on her in the video as it is simply her mostly naked before us in a very sandy background. Quite where she is is open to interpretation but what must be clear to everyone is that it is an honour to see such a girl disrobed.

Petite, young and a picture of sweet femininity with a curious impish charm that is utterly irresistable one finds it hard not to be moved by such a sight.

Her delectable young body is well shaped with pert breasts that are perfect with her diminutive form. Her subtle curves and cream complexion make her seem delicate in any case watching her take off her denim shorts and blouse we observe her walking around, playing with her waist length hair and smiling at the camera. All very staight forward but it is her nude that we are most interested in and we have this in abundance.

Her First Shoot: Presenting Zhenya C
Art Nude Models: Met Art information

May 11th, 2015

Nancy A ‘Rasfei’ by Alex Lynn

Nancy A Met Art

Nancy A Rasfei by Alex Lynn

Whether you’re quoting Shakespeare — “Brevity is the soul of wit.” — or repeating Mies van der Rohe’s oft-repeated dictum — “Less is more. — you’re addressing one of the great truths of art. There is beauty in simplicity. And as the world grows more complicated and chaotic, this truth becomes even more relevant.

In his Metart erotic photo gallery titled “Rasfei,” Alex Lynn has chosen a naturally beautiful model, given her just a few pieces of black clothing to flatter her physique and complexion, placed her in an uncluttered setting, and relies mainly on natural light. This is not a dramatic or at all theatrical photo series, by any means, and that is one of its greatest strengths. The simplicity of the presentation makes the model’s physical beauty and personal charm the central element of the photos, and that is exactly as it should be.

Fittingly, Nancy A‘s styling and presentation here is natural and unembellished. A session in the stylist’s chair could easily prepare this model to conquer the couture catwalks or the glossy pages of high fashion magazines. But in “Rasfei,” with minimal makeup and a shake of her waist-length hair, her natural beauty is abundant and obvious. She could be the girl next door — if that girl happened to be a natural beauty with a pleasing dimple in her chin, refined features, and big, friendly, eyes in a beguiling shade of blue.

“Rasfei” unfolds at a relaxed pace, appropriate to serenity of the setting’s atmosphere. In #007 Nancy sits on the edge of a claw foot bathtub, head turned to the camera, eyes averted, filtered light shining softly on her long hair. #012 is a relaxed headshot, in profile, subtly moody and naturally beautiful. Slowly, she begins to reveal more. In #030 her splendid breasts vie for attention with her subtle smile and a teasingly arched eyebrow. And in #047, explicitly exposed, Alex Lynn‘s artfully abstract composition captures sheer panties out of focus in the foreground, and perfect breasts outlined against raised blouse high in the upper background — trust me, it’s easier to see and enjoy than it is to describe.

Pretty headshots (#076 and #080), fine figure studies (#093, an explicit rear view), and painterly images like #099 are just a few highlights in “Rasfei,” a photo set that exemplifies satisfying simplicity.

Nancy A Met Art

Art Nude Models: Met Art information

Mar 21st, 2015