Milena D & Emily Bloom ‘Nisake’ by Erik Latia

Lydia A Met Art

Milena D & Emily Bloom ‘Nisake’ by Erik Latika

Erotic fiction by Frank, inspired by ‘Nisake’ by Erik Latika, featuring Milena D and Emily Bloom

Milena answered the phone and said, “Hi Em, yeah I heard from Erik also. He wants us to play on a motorbike for a photoset for MetArt. Sounds like fun, right? I’ll pick you up about 9:00am. Erik says he has the outfits he wants us to wear – or not wear, as it develops! Can’t wait to see you!” It had been a while since Milena and Emily had an opportunity to shoot together, and the good friends always enjoyed each other’s company.

Milena showered, brushed her hair back into a ponytail, and then pulled on an old pair of ripped jeans, a ‘Free Pussy Riot’ T-shirt, and the brand new Adidas sneakers she had picked up in Prague. She looked more like the cute girl next door than a glamorous model as she climbed into her prize possession, an Abarth Edition Fiat 500, and headed off to pick up Emily, who was staying in a local hotel. Emily, always the flirt, was chatting with the doorman as Milena pulled up. She was also dressed casually, in jeans, an oversized T-shirt with some classical musician’s image on it that Milena didn’t even recognize, and flip-flops. The doorman’s eyes were wide as he took in the sight of the two pretty girls greeting each other with a kiss that was a little more than just friendly.

The girls caught up on each other’s gossip on the way to the shoot, and on arrival were greeted by the sight of their photographer, Erik, standing next to a big black motorcycle.

“Wow, I hope Erik lets me take it for a spin,” Milena said longingly.

Emily screwed up her face and asked, “You can handle that thing? You ride?”

Milena just laughed and replied, “Yes, and you’d better hold on tight behind me or I will have to wear my T-shirt that says, ‘If you can read this I lost the bitch,’ won’t I?” Emily turned white.

They changed into their sexy outfits for the shoot. When Milena pulled her jeans off, she thought Emily was going to jump on her right then. Emily hadn’t seen that part of Milena since she had been waxed. Milena laughed at the expression on Emily’s face, and said, “If you want, you can examine it much more closely back at your hotel…”

Throughout the shoot, both girls could feel themselves getting more and more aroused. It was hard to restrain themselves from touching each other too explicitly. When they had finished, Erik let Milena take the bike for a short spin. Emily held on tight behind her; she clamped onto Milena’s breasts as she rode and whispered into her ear, “You’re going to pay for this when I get you back to my room!”

She wasn’t kidding. They were barely in the room before Emily stripped naked and dived onto the bed. She flipped onto her back, spread her legs and said, “I get really horny when I am scared, and that bike ride got me scared. Now don’t stop until I tell you.”

Milena giggled as she climbed on the bed and dove into Emily. She was telling the truth about being turned on, Milena soon realized, because Emily was already wet when Milena’s tongue spread her lips.

The first flick of her tongue on Emily’s clit, and Emily came for the first time – but Milena wouldn’t let her stop there. Number two came when Milena added a third finger to the two she was pumping into Emily. Milena came up for a kiss, Emily licking all of her juices from Milena’s face, and then lay down beside her. Emily reversed direction and lowered herself on top of Milena in the classic soixante-neuf position.

“I miss your full bush, it was so much fun to play with,” Emily whispered between licks. But it didn’t stop her from exploring every inch of Milena’s smooth bare mound with her tongue. She moved her arms behind Milena’s sexy long legs, and lifted Milena’s ass so as to have complete access. Then she buried her tongue as deep as she could.

It became a game, to see which one was going to make the other cum first. Milena realized Emily’s clit would be way too sensitive after her earlier orgasms, so she moved to the rear target with her tongue. Emily let out a deep moan, but then returned the favor. Neither one wanted to lose this battle. Finally when she thought Milena was ready, Emily sucked Milena’s clit in as far as she could and whipped it with her tongue. Milena was starting to get those involuntary shudders when Emily slipped her finger deep into Milena’s rear orifice! Emily won!

Much later, when the girls had both recovered from the many orgasms they’d given each other, they showered together and decided to put a perfect cap on the day. Rather than dressing casually as they had done earlier, they went through Emily’s stuff to find her sexiest outfits. Looking like the beautiful models they were, they went out for a night on the town.

Art Nude Models: Met Art information

Jun 6th, 2015

Susie ‘Previa’ by Leonardo

Katie A Met Art


Susie ‘Previa’ by Leonardo

Personality matters. A beautiful woman with an off-putting or unappealing personality is less beautiful than she might be. And a warm, inviting personality makes a woman — or, indeed, any person in any type of situation or social relationship — more attractive, whether she’s plain or pretty. So, to repeat, personality matters. But personality isn’t something that can be easily acquired. Some of it is innate, some of it is developed over time, and it’s fluid, changing with mood, circumstance, and situation.

Capturing a model’s personality is one of greatest challenges facing a photographer. Even the most technically skilled artist can still fail to extract and present a model’s true character and charm. And, after all, erotic photography is a collaborative art form. Model and artist must work together. And if a model is unwilling or unable to freely express her personality for the lens, the photographer has a severely limited ability to capture it. Timing also plays a significant role. A moment’s hesitation — on the part of model, photographer, or both — can result in a photo devoid of personality, creating an inaccurate representation of the model’s true essence.

After all that, let me say that Susie, the star of “Previa” has a delightful personality. It lights up her eyes and animates her face. It gives her a youthful energy and vitality that, to my eyes, makes her appear younger than her 24 years. She clearly enjoys posing and she offers up every luscious inch of her nubile body for our inspection and enjoyment.

And Leonardo, an accomplished master, does a fine job of capturing not just Susie’s bright, lively nature, but also more subtle and nuanced elements of her personality. He successfully brings out the irresistible emotional best in Susie, while also capturing her physical charms in welcome — and often impressively explicit — detail.

A few favorites: #013, a beautifully posed and composed image in the pin-up style. #015, also topless, with a relaxed, candid, natural feel. #044 an extra-close, extra-explicit shot — extra-wet, too! #048 for the way Leonardo employs the architectural elements of the set in his composition. The thoughtful, painterly beauty of #054. And #117 where personality, physical beauty, and photographic skill and style all come together.

A lovely girl, an inviting personality, and stylish erotic art are all among the many delights on display in “Previa.”

Katie A Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

Jun 6th, 2015
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Victoria R ‘Erotic Fashion’

Hegre Art Victoria R

Hegre Art Victoria R

Name: Victoria R
Country: Brazil
Weight: 49kg
Height: 173cm
Age: 19

Art Nude Models: Hegre Art information.

Jun 5th, 2015

Altea B ‘Apake’ by Erro

Altea B Met Art


Altea B ‘Apake’ by Erro

Currently Metart contributor Erro has 404 galleries in his portfolio — four hundred and four — that is a whole lot of erotic photography! And that’s in addition to the work on display at his personal site, Errotica Archives. A connoisseur of erotica could devote a considerable amount of time to evaluating this artist’s body of work with little hope of “catching up” because Erro is at the height of his productive and creative career, and continues to craft erotic pictorials and movies at an impressive pace. As a further measure of his standing in the creative community, Erro is currently #3 on the Metart Top Photographer’s list. In the world of erotic photography Erro isn’t simply a prolific veteran, he’s a living legend.

Altea B, the subject of Erro’s “Apake,” has a long history with the artist. He photographed her Metart debut pictorial which was first published in June 2006 (!), and he’s been behind the camera for the overwhelming majority of her 63 total Metart galleries. I’ve only had the privilege of critiquing one previous Altea B gallery, and this was nearly three years ago, but I was impressed and welcome the opportunity to revisit this beautiful model.

Altea B has a physical gift well beyond the obvious beauty of her slim, shapely body and beguiling face — this model has an absolutely age-defying youthful quality. While she has certainly evolved during her career, she’s retained her nubile beauty to a striking degree — there are few visual clues to distinguish from the nubile 19-year-old who first appeared at Metart and the 28-year-old we see today.

Having said all that, “Apake” is a somewhat curious series. The lighting is expert, giving an appealing warmth to Altea’s naturally appealing complexion and coloring. And Erro captures a wide range of poses and compositions within the limits of a rather truncated total of 70 photos. But the setting is undeniably odd. He’s thrown an assortment of pillows on the tile floor of a cramped closet. There’s a mirror on one wall, louvered doors on the other, and Altea — clad only in a pair of strappy gold metallic high heels — never rises from the floor.

Even so, in the cramped space and with limited options, Altea B delivers an admirable performance. She uses the mirror to excellent effect in #006, offering two views of her fine body and face. In #045 she offers an irresistible spread invitation that makes the awkward setting suddenly seem like the idea place for an erotic interlude. And in explicit images like #043 a carefully placed hand underscores Altea’s unspoken desire.

“Apake” certainly has its quirks, but the talent and beauty of Altea B, and Erro’s style and skill make the most of the set’s odder elements.

Altea B Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

Jun 3rd, 2015

Ganna B ‘Oinare’ by Slastyonoff

Ganna B Met Art


Ganna B ‘Oinare’ by Slastyonoff

Metart was created, first and foremost, as a venue for erotic art photography — specifically still photography. Metart has also consistently offered short erotic films, but they’ve always taken a back seat to the photo galleries. Some members love them, some are, less enthusiastic, and I’ve got mixed feelings. It’s true that, in the past, some photographers have simply recorded a still photo session on tape and called the results “a movie.” But others recognize the potential of motion pictures and have made a real effort to explore and experiment, with notable success. And that brings us to “Oinare,” a Metart short erotic film that pushes the limits of the form with exceptional results.

Slastyonoff is an accomplished and prolific artist — he’s got an impressive grand total of 558 galleries at Metart. One contributing factor to his enduring success is his willingness to adapt, evolve, and experiment, and “Oinare” offers vivid proof of his bold artistry. Using a single prop — a glowing fluorescent tube — and a single key light far overhead in an otherwise pitch black studio, he’s created a dramatic stage on which his subject can perform. And his subject, Ganna B, rises to the challenge with high, nearly explosive, energy and impressive confidence.

“Oinare” is, on one level, an interpretive dance. Yes, there are echoes of a stripper performing on a pole, but there is much more to it than that. Ganna B dances, and dances hard. For much of the film the fluorescent light remains stationary and vertical, its unnatural light bathing Ganna’s stunning body in its artificial glow even as it reveals the stunning details of her intimate anatomy. Her long red hair swings through the air, warm highlights enhanced by the key light — the same light that reveals the tiny vellus hairs on her body and motes of dust floating in the air.

There are those who might suggest that “Oinare” exists outside of the Metart norm, and they might be right. But while some might view that as criticism, I think of it as high praise. This is a supremely confident, thoughtful, and powerful piece of erotic cinema. Ganna B is a marvel, and with two films in her Metart portfolio, I can’t be the only one who would love to see her in a still gallery after this performance. A creative concept, confidently and skillfully performed and executed, “Oinare” makes an impressive showcase for not only Ganna B and her director, Slastyonoff, but for the potential an promise of Metart‘s short films.

Art Nude Models: Met Art information

Jun 2nd, 2015

Tyra ‘Princess of Senegal’

Hegre Art Tyra


Hegre Art Tyra

Name: Tyra
Country:
United Kingdom
Weight: 50kg
Height: 174cm
Age: 18

Art Nude Models: Hegre Art information.

Jun 1st, 2015

Tyra ’80s Disco Queen’

Hegre Art Tyra

Hegre Art Tyra

Name: Tyra
Country:
United Kingdom
Weight: 50kg
Height: 174cm
Age: 18

Art Nude Models: Hegre Art information.

May 31st, 2015

Aya Beshen ‘After a Bath’

Hegre Art Aya Beshen


Hegre Art Alma

Name: Aya Beshen
Country: Ukraine
Weight: 51kg
Height: 171cm
Age: 18

Art Nude Models: Hegre Art information.

May 30th, 2015

Salomja A by Marlene

Altea B Met Art

Presenting Salomja A

New models don’t often make their first appearance at Metart in an erotic movie, but the short film format provides a particularly enticing introduction to willowy beauty Salomja A in “Presenting.”

Every detail of director Marlene‘s creation is perfect — the location, costuming, accessories, the camera work, editing, and the soundtrack combine to create an extremely alluring cinematic interlude. I’ve only critiqued one of Marlene’s previous contributions to Metart — a still photo series (and her debut as a Metart photographer), and here she proves equally adept with motion pictures.

The film was shot in a particularly scenic location, on the banks and in the rushing waters of a stream. Salomja A, clad only in a gauzy white blouse and a few well chosen pieces of jewelry — most notably a delicate anklet — is dipping her pretty feet in the water as the film opens. As “Presenting” unfolds Salomja presents more and more of her lean, lithe, and beautiful body. She takes a dip in the stream, eventually discards her top, and moves gracefully through a wide variety of pleasing poses.

There’s a soothing quality present throughout the film, underscored by the relaxing tones of the ambient soundtrack, the flowing water, and the natural beauty of the landscape. And Salomja, exquisitely beautiful and at ease, displays not only all of her delicious physical attributes, but also a sweet, sultry, sincere, and irresistible sexuality.

If you’ve ever imagined stumbling across a magical water nymph — or simply happening upon a gorgeous young girl skinny-dipping in a mountain stream — “Presenting” Salomja A is an extremely enjoyable erotic dream come true.

Art Nude Models: Met Art information

May 29th, 2015

Tyra ‘Pink Panther’

Hegre Art Tyra

Hegre Art Tyra

Name: Tyra
Country:
United Kingdom
Weight: 50kg
Height: 174cm
Age: 18

Art Nude Models: Hegre Art information.

May 29th, 2015

Victoria R ‘Classic Nudes’

Hegre Art Victoria R

Hegre Art Victoria R

Name: Victoria R
Country: Brazil
Weight: 49kg
Height: 173cm
Age: 19

Art Nude Models: Hegre Art information.

May 28th, 2015

Adel C ‘Jande’ by Koenart

Adel C Met Art


Adel C ‘Jande’ by Koenart

I won’t hazard a guess as to the number of Metart erotic photo galleries that have been shot in bedroom settings, but it’s certainly a sizeable amount, for obvious and appealing reasons. For his series titled “Jande,” Koenart has chosen a bedroom decorated in whites and neutral tones, and then flooded the space with soft light diffused by gauzy curtains. The lighting and the color scheme create a warm, dreamy atmosphere that provides a particularly flattering backdrop for his subject, Adel C.

Adel C, a proud native and resident of Latvia, is uniquely beautiful. Her pale, creamy complexion, lush head of long, wavy auburn hair, and big, bewitching eyes can sometimes suggest a princess in a Pre-Raphaelite painting, but her attitude and presentation are completely contemporary. While she tends to operate in a somewhat limited emotional range, her personality is as inviting as her physique – which is to say very inviting, indeed!

The lacy white bra and panties that Adel C is wearing as “Jande” begins are particularly well chosen, striking the idea balance between sexy and sweet, which is also an apt description of Adel’s personality. The very first image in the collection, #001, is an ideal introduction to the set, blending a dose of classical pin-up style with the painterly design and execution of the gallery. Other “nothing showing” shots in the series are equally compelling, and #011, with Adel C looking right into the camera, is a personal favorite.

Adel C delivers a pleasant range of poses, and Koenart provides excellent coverage – from thoughtful, creative figure studies (#096), to bold and erotically explicit views (#059), to a series of disarmingly beautiful images of Adel standing next to the softly glowing curtains (#072).

The inviting bedroom setting, Koenart’s sensitivity and skill, and Adel C’s delicate beauty make “Jande” a particularly enjoyable interlude with this lithe, lovely, and luscious Latvian lass.

Adel C Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 26th, 2015

‘Presenting Lilit A’ by Arkisi

Lilit A Met Art


Presenting Lilit A by Arkisi

Earning the coveted #1 spot on Metart‘s Top Models list can take weeks, months, even years. A model makes her debut, appears in more and more galleries, works with one or more photographers, gains skill and confidence, and builds up a fan following over time. At least that’s how it usually works. But there’s an exception to every rule, and that brings us to Metart‘s newest Top Model, Lilit A.

It happened in an instant. Less than 24 hours after “Presenting” appeared on the site the membership voted Lilit A to the very top of the Top Models list. That kind of overnight success isn’t completely unprecedented, but it is rare, it is truly impressive, and it bodes extremely well for this enticing new model’s future.

There’s no precise way to determine what makes a model popular, and that’s one of the things that makes it so interesting. If there was a formula, a technique, a list of attributes to possess and steps to follow, all models would be Top Models. But it comes down to some indefinable, constantly changing, combination of qualities and factors — physical beauty, personality, skill, attitude, the artist behind the camera, the sometimes fickle moods of a discerning and opinionated membership. What does it take to become a Metart Top Model? Nobody knows with any certainty, but whatever it is, Lilit A has it!

I have no way of knowing how Arkisi approached shooting Lilit for “Presenting.” There’s a workmanlike, direct, but unobtrusive quality to the photographic style here, and it just feels right. A couple of fully clothed introductory images, then model and artist get right into it — the setting, a rather unexceptional kitchen, fades away and all the viewer sees is Lilit A. And we see everything she has to offer in impressive, often explicit, detail. In last week’s post I discussed a set without a single explicit image — “Presenting” Lilit A is filled with them, and they are the stuff feverish dreams are made of.

But there is much, much more to Lilit A than the bold and generous ways she displays her delectable intimate attributes. She has an absolutely irresistible smile, for one. She has a lively, warm, and genuine personality that makes her seem completely natural and approachable. She’s confident, but no overbearing. She can look like a fresh-faced innocent, and younger than her 20 years would indicate. But she can also look worldly, sophisticated, and knowing — there’s an entire alluring world in those big hazel eyes!

Favorites? Oh yes. #007 for that cute, over-the-shoulder, smile. #015, hot, hot, hot – and the set has barely begun! #069, offered for you pleasure. The pretty face in #090 and the adorable face in #092, two variations on the same pose. And the pulse-pounding pose and heartwarming smile in #116. Any of those shots — and so many others — help explain how “Presenting” propelled Lilit A straight to the top with such remarkable rapidity.

Lilit A Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 24th, 2015

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Art Nude Models: Met Art information.

May 23rd, 2015
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Heidi ‘Elf’

Her Hegre Profile: Heidi.

Hegre Art Heidi


Hegre Art Heidi


Art Nude Models: Hegre Art information.

May 22nd, 2015

‘Presenting Olya Fey’ by Alex Sironi

Olya Fey Met Art

Presenting Olya Fey by by Alex Sironi

Two aspects in particular struck me as I began to examine the new Metart model debut, “Presenting” Olya Fey — her face and her hands. Olya can’t help but project a warm, inviting, lively personality. There’s a light in her eyes and a smile is never too far from her lips — she simply radiates an amiable, approachable, and appealing energy. She’s pretty, make no mistake, and made prettier still by the abundant warmth of her personality. She’s also blessed with exceptional bodily beauty. She’s lithe, long of limb, with pert breasts, and additional delectable details. And that brings me to her hands.

When I say she has “happy hands” I mean that her manual extremities are expressive, almost to a fault. I don’t know Olya Fey‘s modeling history, but the way she uses her hands either reflects an acquired habit, a stylistic signature, or a lack of experience I associate with newcomers to the modeling profession. In #017, for example, Alex Sironi frames her in a close headshot, and her hands, fingers gracefully curved, float beside each side of her face. Enhancement or distraction? I lean towards the latter. Posing, pointing, framing or otherwise vying for attention, Olya’s hands make their presence felt in “Presenting” but without doing too much harm overall.

For such a sweet, natural, and warm girl, Sironi has chosen a rather formal, even stuffy, setting. Olya sits or stands next to an antique chair of leather and wood that’s been placed before an ornately decorated passage, with a similarly decorated bedroom visible in the background. But Olya, barefoot, is wearing a light and casual dress and blue necklace that are anything but ornate, stuffy, or antique — a curious contrast.

Still, Olya’s personality and beauty easily overcome what quirks or quibbles I might find in “Presenting.” Her slender body is beautifully captured in #084 and #132, among others. Her natural sweetness gets a touch of spice with a peek at her nipples in the otherwise demure #003. She displays both her physique and attitude in #046. And Sironi delivers enticing explicit close-ups that capture moist perfection (#056) as well as stylish compositions like #058, and artful, stylish figure studies like #110. With her friendly face, beautiful body, and even her “happy” hands, Olya Fey is a most welcome addition to Metart.

Olya Fey Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 21st, 2015

Katie A ‘Cionime’ by Fabrice

Katie A Met Art


Katie A ‘Cionime’ by Fabrice

When I opened the first 25 images in the Metart erotic photo gallery “Cionime,” the topmost shot in the “stack” of pictures was #006, a “nothing-showing” shot of Katie A standing on tiptoe, resting her hand on an ornate column, with a sweet expression on her exceptionally pretty face. Image #025 was directly behind that introductory shot — or at least the right half of it was. And the right half of #025 consists of the lower half of Katie A’s splendid anatomy, eagerly presented and explicitly exposed. The contrast between the two shots — sweet right next to heat — had me hooked in an instant. And that helps explain why Katie A has been moving up — way up! — in the Metart Top Models rankings.

Katie A radiates an irresistible warmth and lively, fun-loving spirit. You get the sense she’d be quick to laugh, and the smiles she shares throughout the set are natural and sincere. She’s also exceptionally pretty, with a flawless complexion, perfectly nubile proportions, an angelic face, and beguiling eyes. And along with all her sweetness, charm, and beauty, Katie A is also candidly, openly, and naturally sexy. There are shots in “Cionime” where she practically throws her pink perfection at the camera (#021), and spread wide and with nothing to hide (as in #074) she’s completely at ease. Katie A effortlessly displays both sweetness and steamy sexuality — a powerful and winning combination.

Fabrice shot “Cionime” in an ornately decorated — one might even say slightly cluttered — space. With a less appealing model this might have presented a problem, but not here! The artist moves Katie around the room. She stands, she poses on the polished floors, she lounges on and across odd pieces of furniture, and it all works beautifully. There’s a lot of variety in terms of pose and composition — figure studies, portraits, headshots, as well as mouthwatering explicit shots. And the model herself displays similar range and variety. Much of the set has her lustrous hair parted on one side and flipped fetchingly across her head. In others, however, her hair is parted down the middle creating an entirely different look, as well as mood, that adds real depth to Katie’s performance (and appeal).

Whether I’m gazing at that beautiful face, or drinking in the perfection of her pristine pink bits, Katie A in “Cionime” displays sweetness, cuteness, hotness, and plentiful prettiness.

Katie A Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 20th, 2015

‘Presenting Olivian’ by Leonardo

Olivian Met Art


Presenting Olivian by by Leonardo

Fresh, young, new models are a hallmark of Metart, and they have been from the very start. And Olivian, the Ukrainian 18-year-old who makes her Metart debut in Leonardo’s “Presenting,” is as fresh, young, and new as they come. From the first image (the sweet and demure topless shot featured at the top of this post) to the last (an explicit and tantalizing rear-view) Olivian performs impressively in her first Metart appearance.

In addition to her physical charms, which are considerable, Olivian is simply and sensationally photogenic. A competent artist — and Leonardo is far more accomplished than that — can capture physical details, but if the subject isn’t willing or capable of projecting her personality and emotions, the results can be disappointing. Not Olivian! This young woman radiates an easy confidence. She’s self-assured, unashamed, playful, engaging, and possesses a lively warmth. Looking at her is a treat, to be sure, but it’s her personality that takes these beautiful photographs and fills them with alluring, magnetic, appeal.

I must admit, I was surprised when I discovered that Olivian was only 18 at the time this erotic art photo gallery was shot. Her confidence, her very presence, makes her seem more mature. Some of this perceived sophistication may be due to her styling here, particularly her eye make-up that gives her glittering blue eyes a feline quality. But Olivian’s beauty and the disarming charm she possesses in such abundance make her a truly formidable female presence, particularly in view of her youth.

Leonardo has dressed Olivian in nothing but a pretty pair of pink and white panties. She’s on a bed, and a changing, but unobtrusive, pattern of lights is projected on the wall behind her. The artist captures everything from figure studies to explicit anatomical close-ups (#089 and #094). He also captures several truly beautiful smiles — when Olivian is amused or laughing she’s absolutely radiant (see #020 and #029 for two shining examples). Olivian’s moods are as varied as her poses and Leonardo’s compositions. She’s restrained and calm in #037, she exudes pin-up glamour in #030, explicitly exposed in #067 she remains completely at ease and projects warmth and vitality, and in #099 she’s nothing less than beguilingly beautiful.

“Presenting” Olivian, so skillfully executed by the artist Leonardo, is the perfect introduction to this delightful, delicious, and enticing Metart debutante.

Olivian Met Art


 

 

 

 

 

 

Art Nude Models: Met Art information

May 19th, 2015

Victoria R ‘Fitness’

Hegre Art Victoria R

Hegre Art Victoria R

Name: Victoria R
Country: Brazil
Weight: 49kg
Height: 173cm
Age: 19

Art Nude Models: Hegre Art information.

May 18th, 2015

Art Nude Models Interview: DeltaGamma

The DeltaGamma Interview: an erotic artist opens up.

If you’ve a member of Sexart (or Metart or The Life Erotic) you’re most likely familiar with the photographer known as DeltaGamma. As I write, the artist has published 126 erotic photo galleries across the three sites – 39 at Sexart, 67 at Metart, and 20 at The Life Erotic – and he’s earned an enthusiastic and vocal fan following. The fact that he’s also an active participant in the comment sections has only added to his popularity and reputation – DeltaGamma isn’t content simply to create a photo set, he’s also keenly interested in the way it’s received by the audience.

After chatting, online and off with DeltaGamma, I suggested we do an interview. He agreed, I prepared an extensive list of questions, and then things got complicated. In the interview that follows DeltaGamma discusses his background, his inspiration and evolution as an artist, and the unforeseen event that profoundly effected his career as an erotic photographer. And what’s included here is only part of the DeltaGamma story, Part 2 of the interview will appear here in the near future.

First of all, why “DeltaGamma,” what’s the significance of the name?

D: I simply picked the initials of my real name from the Greek alphabet, as a tribute to the classic beauty concept developed in ancient Greece, the reference and inspiration for my earliest work and my art in general. The name I used when I started with nude photography was actually “DeltaVenus,” which was inspired by the novel “Delta of Venus” written by Anaïs Nin, and later adapted as a movie that was directed by Zalman King and released in 1995.

What’s your background?

D: I was born in a small seaside city on the eastern coast of central Italy, forty years ago. Since then I have lived in several different Italian towns, from the north to the south of the country, and now I’m living in Rome. I attended an international Art Academy after showing some unusual drawing skills when I was very young, at the primary school, where I had also started studying English. And I attended a scientific high school, studying not only scientific subjects but also philosophy, Latin, and the arts. I can’t go too deep in Rome, Colosseum at night, by DeltaGammadetails about my life and my “regular” job since it’s outside the world of photography and very far from erotic art, but I can say that I’ve worked for twenty years in a very professional and challenging environment that has allowed me to travel a lot and learn many different skills, meet many people from all over the world – including my wife – and learn to adapt myself to different situations, react quickly, and plan my activities efficiently. I would describe myself as a self-made, happy and lucky man, an artist, a photographer, a traveler, a biker, a sailor in love with the beauty of this world and the beauty of women.

What first got you interested in the artistic potential of photography?

D: Back in 2000, during the longest of my travels – an unforgettable experience spending six months at sea – I had brought with me a photo camera. At the time I had been on a break from oil painting due to lack of time and therefore inspiration, and in a way Oil on canvas, Zoya (detail), by DeltaGammaapproaching photography awakened my inspiration again. Photography perfectly integrated my paintings and drawings, which were already oriented towards the search for harmony and beauty in reality without too much intermediation/manipulation of forms and colors, but rather a realistic interpretation of existing subjects, which were mainly female nudes.

How long had you been working as a photographer before you began to shoot nudes?

D: The beginning of my career as a photographer could actually be identified with shooting nudes, except for the very first steps when I transitioned from drawing/painting to shooting photos. I learned the basics of photography by myself, trying to catch the subject the way it was in my mind already before taking the picture, according to my own personal vision coming from my artistic path and from observing other photographers’ work.

I started using my first photo cameras in 2000 and I got my first DSLR – a Canon EOS 350D – in 2007. In my early years I shot mainly reportages of my travels and then I started shooting portraits/glamour with a Czech girl I met in my hometown during her summer holidays with her parents. That’s probably when my special feeling towards Czech girls and their country started. I went there many times, first in 1992 on a school trip to Prague – soon after the country’s first democratic elections after the fall of the Berlin wall – and I Early & unpublished work, Dominika, Prague, 2012 by DeltaGammawas fascinated by the beauty of the town and its unique atmosphere, and a few years later also by the beauty of the local girls, my favorite subjects for my nudes.

I shot my first amateur art nudes in 2003 with an Italian girl I met on a train, then I started with soft erotic shootings in a couple of workshops in Venice in 2006, and then in 2007 I finally started with my first semi-professional erotic shootings in Czech Republic and Poland – both countries I was familiar with due to my several trips riding my motorbike in the summer across central-eastern Europe.

You started contributing photo sets to Metart in early 2012, later that year you began contributing work to Sexart, and to The Life Erotic in 2013. Had you published any of your erotic photography before your work for the Metart Network?

D: Publishing my work at Metart had always been my aspiration since the beginning of my erotic shootings and I never really thought of submitting to any other website. Although my very first exposure to soft nudes was with Playboy magazine – I bought my first issue in August 1990 – my view of erotic nudes was shaped and influenced by Metart some years later. I had created my first e-mail account in 2000 and a few months later I subscribed to the Metart newsletter, soon after discovering the site. I remember I saved all the 16 preview images of the featured sets and was amazed by the beauty of models and their erotic attitude captured by the perfect photography. Metart has been my leading influence in erotic photography and one of the biggest influences on my erotic vision.

My early erotic work was closer to The Life Erotic‘s style in terms of lighting and models’ facial expressions, then evolved towards Sexart‘s main features in a way, while I was stillOriginally for The Life Erotic, by DeltaGamma a bit distant from the average Metart style, with crystal clear images and brighter lighting and models smiling and in a happy mood.

Paradoxically I started publishing on Metart first, with “Presenting” Grace C, then Sexart with Mia Sollis, and finally on The Life Erotic, also with Mia.

I only decided to give publishing a try in 2010, when I sent my first submissions to Metart. After the first feedback (good work/style but models not interesting or already published) I let some time go by, then tried again in 2011 with a few other submissions which were not interesting enough, and then finally had my first sets published in April 2012, with Grace C.

In the summer of 2011 I actually collaborated with a Metart photographer who got in touch with me, Peter Guzman. We arranged a few combined shoots to share costs and models, and I integrated some of his sets with Edwige A, as well as Mia Sollis, and Marjana A.

By the end of the summer 2011 I decided to start shooting and submitting alone, and I started with Mia Sollis and Edwige, two of the models I knew better.

Back to the question: I have actually thought of expanding and publishing my work on other erotic websites, especially when I didn’t have many sets released on the Metart Network. But recently, when I had my work released on a more frequent basis, I started thinking to be loyal to the Network for a number of reasons. One of them is that I consider Metart the top erotic website, the first and only for me, which keeps evolving in a thoughtful way, taking into account ideas and suggestions by members. The other reason has to do with a fact which happened this summer and made me reconsider several things in my life and my career, I’ll explain later.

Metart, Sexart, and TLE each have a distinct, unique style, focus, and format. Your work has appeared on all three sites. How do you adjust your style and approach when you’re shooting for Metart as compared to TLE, or TLE compared to Sexart.

D: When I shoot a model for Metart my main goal is to simply bring out the model’s beauty and her happiness of showing her intimate beauty to the viewer, connecting with him, using a location and a lighting that match this overall feel, possibly in a simple and not too distracting setting. The focus is on the model’s beauty and sensuality. One of the first sets embodying this aesthetic feel is my first with Mia Sollis, Voile, which was also reviewed by you in the Metart blog, and that’s where I actually started exchanging comments with some members back in February 2013.

For my TLE work, if we speak about open legs style, the focus is not only on beauty and sensuality but also on a more intriguing side of the model’s mood, or a fetish such as shaving, sometimes combined with the silver mirror insertions, like the one with Tess B, along with an overall “darker” feel given by the lighting, with lower intensity and higher contrast, making the setting look a bit more undefined and mysterious, like in my first set with Mia Manarote.

For TLE masturbation, and some fetish sets, the model also has to appear involved in the erotic action showing her sexuality in an almost dramatic way, the darker side of her erotic potential, pretending to be aware that someone is watching hidden in sort of a voyeuristic situation.

For Sexart I ask my models to “make it real.” Once I show them the setting and the outfit I tell them what the story is about and to believe in it, acting in a continuous action as if I was shooting a video, so that the flow of the action looks more natural, only stopping for the single shot. I also ask them to pretend I am not there and to concentrate on their own pleasure in a natural/realistic way, without exaggerating with facial expressions, but they’re allowed to glance at the camera from time to time, when they feel like or when I tell them to do it, in order to keep the contact with the viewer and remind him that the action is for him and also to give a flirty taste to some headshots which I include to let the viewer see what’s in the eyes of the model while feeling the pleasure. One of the most satisfying sets is my second with Sapphira.

Have you ever shot something for, say, Metart, but then ended up submitting it to Sexart, instead?

D: When I plan a shooting with some model in a certain location of course I already have an idea of what site I’m going to submit it to. If I had to give a priority that would be Metart, Sexart, TLE for a number of reasons, and this also reflects the number of sets. But sometimes when I am actually shooting it happens that some factors make me change Sunshine on TLE, originally submitted to Metart, by DeltaGammamy mind and switch to a style suitable for a site which is different from the initial idea. But it also happened that after taking a look at the photos before editing I realize that the overall feel of a certain set is more suitable for another site, but that’s possible from Metart to TLE, or from Sexart to TLE, seldom vice-versa (for lighting reasons) and never from Metart to Sexart (because of the poses/style). Once, after initially scheduling a Metart shooting with some models who had never done masturbation in photos, we ended up giving a try to a Sexart or TLE set (none of these sets has yet been published). And I’ve submitted sets to Metart and Sexart but then it was suggested I submit them to TLE because the photo editor found the set or the model more suitable for that site, like in the case of the first sets with Paula Shy, Sunshine, and Chloe Coco, and there are a few more.

In the studio or on location – which do you prefer?

D: I generally prefer to shoot indoor with a soft natural light from the window and a realistic setting, because I have everything in control, the ambience is relaxed with some good music, and posing is generally more comfortable for the model.

I set up a small studio in my old apartment, with a few backdrops in front of a big window, so I could use it either with natural light or with studio light, or combining the two. I have in mind my own private studio for the future, it would be halfway between a painter’s and a photographer’s studio, with plenty of natural white light during the day.

When the weather is nice and the temperature warm enough for the models, I have a nice location nearby that’s also a great option to go shooting outdoor, but it depends also on how happy the model is, because posing is usually not as comfortable as indoor, then there may be some interruptions for various reasons – the lighting conditions may change more dramatically than indoor, then there may be some logistic issues that could distract from me from focusing on the model and the posing.

But basically it’s the light of the moment that inspires me and drives me.

A typical set has about 120 images, give or take. How many total images do you shoot during a single session? And how do you approach the task of editing a set for submittal?

D: I usually shoot 160-200 images, depending on the model’s skills/attitude (beginner/experienced, willing/bored) and the lighting conditions (affecting shutter speed, therefore risk of motion blur). When I have the feeling I have at least 130-140 good images I check quickly on the display the variety of poses and if I think it’s enough I stop. But there are times when the model is so good that I just can’t stop, when we are both in good mood and the poses keep coming different and sexy. I know that I am not going to use all of the images but I can’t help, I still shoot for the fun of it. And I also like to show the model many nice pics of herself, especially portraits.

I start editing the set usually after my regular job, at night, or in the weekends, when I am not too tired. I take a look at the whole set, deleting the bad pictures, separating the repetitive shots, and selecting the good images, usually no less than 120. Then I work on Mia Sollis in a favorite location, 2011, by DeltaGammathe RAW files, starting to give the image the light temperature/tone that best matches the model, the setting and the feel of the set.

My wife Phi – a member suggested this nickname, the ancient Greek letter for “F,” because it’s the initial of her real name – is there for this phase. She both helps me find the right settings – sometimes it gets too subjective, especially when the lighting during the shooting varied – and she also does most of the editing herself, especially when the photos also need to be retouched. I prefer not to retouch unless it’s necessary to comply to the standards of photography on Metart or other sites in the Network. So there are tattoos to get rid of and skin imperfections to fix, as well as details in the setting which are not nice to be seen, in order to make the image look pleasant and eliminate unnecessary small details distracting from the main subject. This phase, for the most complicated sets, can even take up to two or three days for just one set.

Lately, as you may have noticed, my sets have become larger. I’ve started to extract some images that inspire me for artistic black and white and desaturated color treatments. These are usually images that normally would look like repetitions or be too serious in the Black & Whites, Dominika, Prague 2012, by DeltaGammaset, but that are good for a different image style. I also include close-ups and interesting details. I decided to add these shots as a bonus to a standard set, because I felt the need to let the viewer see the model in other ways, like I do whenever I shoot, trying to imagine the photos in different styles as if they were different techniques of painting or drawing.

It’s still kind of an experiment for me, especially if you consider that I started working on black and white and desaturated images not so long before including this type of work in my sets, although B&W is very close to pencil and charcoal drawing, which are one of my favorite techniques.

Members seemed to have appreciated enthusiastically so far, so I consider it kind of a trademark and even if it takes time to do it I will keep doing it willingly. The first set where I included some extra images was my first with Michaela Isizzu, although it was mostly some plain black and white backstage images, so actually the very first attempt was with one of my sets with Sunshine, also reviewed by you in the blog.

All your work for the various sites in the Metart Network have been still galleries. Do you have any interest in shooting motion pictures?

D: I would really love to start shooting movies. I did shoot a few videos with my DSLR a couple of years ago, but I haven’t edited them, and anyway I don’t consider them good Screenshot from backstage video, Connie Carter, by DeltaGammaenough yet. I have also shot some backstage video for fun. Videos are very challenging, and I think I have the eye to shoot them, but at the moment it’s a matter of time: I am working too hard to have the time to start shooting and reaching a satisfactory level, and I would need more time to edit the videos, too. I always have a very thoughtful approach when it’s about starting something I really care about, but then when I start I work very hard and it’s difficult to stop me. You can consider the wish of starting to shoot videos my resolution for 2015.

You had a severe misfortune last summer – all your photographic gear and the laptop with your latest work was stolen. How did you recover from this devastating blow, and has this experience changed anything in your approach to shooting?

D: The theft of all my gear last July was a real shock. Now, so many months later, I still think about the few seconds when I was distracted by a man crying out and running to me as someone grabbed my backpack with everything inside and ran away.

I had just come back from one of my most successful shootings in Prague, four days of hard work with Sapphira, Nici Dee, Vanessa Angel, Paula Shy, Dido A, Celeste A and a couple of other models, shooting about twenty-five sets, mostly for Metart and Sexart, and a few for TLE. In few seconds I lost everything: my photo/video gear, my laptop, the hard disks and memory cards with all the work, making the time and expenses for the entire trip a total waste. I saw the robbery on the CCTV the day after, and it was very hard to take. I stayed in bed for a couple of days, trying to get some sleep, staring at the ceiling, hoping to have some news from the police or from friends searching the markets, or from Internet, but nothing.

I stopped being a photographer for some days, suspended in a very uncomfortable situation, but already the day of the misfortune things started happening: my wife let my closest friends know about the robbery, she even wrote to [Metart Network Photo Editor] K to let her know what had happened, and then a post on Facebook kick-started the reaction of some of my most loyal fans, especially from the US, supporting and offering help, easing the shock and giving me back self-confidence little by little. My “Number One” fan in particular also alerted [Metart Network owners] Jon and Niko about the theft. In a very short time I was offered an incredible amount of support by Metart which allowed me to get back to shooting with new gear and with an appropriate budget.

In the end, although that was a very hard lesson for me, it turned out to be also an important occasion which showed me how much Jon and all the Metart staff believed in Early & unpublished work, Anaïs, France, 2010, by DeltaGammame and in my work, as well as an opportunity to find real friends from the community of regular commentators, especially from Metart. It felt like belonging to an extraordinary family. Now I am in touch with several members of this great community on a regular basis, we speak about a range of things besides erotic photography, and it’s all so fun and interesting.

The first sets released right after this disaster were with Connie Carter, first on TLE, and then on Sexart, followed by Lauren Crist on Metart, which kept me “alive” on the Network and made me experience the unexpected, incredible support from the members through the comments. I would like to thank all of them for giving me strength during those hard days.

I have also started being in touch with other Metart Network photographers, like Catherine, Luca Helios and Flora, after already being friends with Peter Guzman, Ken Tavos and Balius. I think that the exchange of ideas and points of view between artists is very fruitful, bringing the overall level of the entire Metart Network higher and higher, while the interaction with members keeps the Network evolving and facing the new challenges of modern erotic still and motion pictures.

This experience made me rethink all of my work and reconsider everything I did so far, being more aware of the actual value of all the equipment and the work itself, therefore giving more value to the efforts I do to carry out a shooting and produce a set.Venice, church at sunset, by DeltaGamma

May 17th, 2015
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