New Nude Magazine: Gabriele Rigon
Hegre: Helena Karel
New Nude Magazine: Gabriele Rigon
Tanya is a relatively new model at Met-Art but this fiery red-haired enchantress has quickly cast her spell upon Met-Art readers. This beauty has that “something” that enthralls and intrigues each time she makes an appearance. Voronin is the expert craftsman who manages to bring unique galleries that frame perfectly this lovely teen’s numerous assets.
This gallery is set against a backdrop of ornately detailed geometric-patterned wooden doors, off-white walls, and shiny hardwood floors. The illusion is present that Tanya has invited viewers to join her in her home as she exhibits her most intimate charms. The model wears a multi-colored tropical printed bra and panty set that accentuate her voluptuous figure. A pair of open-toe golden high heel shoes adorns the model’s lovely feet. Tanya’s long red locks flow freely over her creamy ivory shoulders.
Voronin selected a photograph of Tanya sitting upon a wooden chair with her thighs parted for the cover shot of this series. The model sits with one of her arms propped on the back of the chair and with her face turned a bit to the side. Tanya eyes Voronin’s camera coyly and several strands of her hair hang loosely in front of her face. This photograph showcases the stunning facial allure of Tanya as well as the feminine appeal of her amazing physique.
The next photograph from this collection is a photograph in which the model leans against the side of a doorway in a sideway stance. Tanya smiles directly at Voronin’s camera and again the model exudes a very inviting presence. Tanya is dressed in the bra and panty set in this photograph. The model’s sweeping brows frame her dark eyes. A hint of peach color blushes Tanya’s smooth cheeks.
Tanya again leans against a doorway but in the next photograph from this series, the model is facing Voronin’s camera. This positioning allows viewers to admire almost the full length of Tanya’s spectacular form. The model has shed her lingerie and she poses nude for this picture. She pulls her auburn hair away from her face so that her one-of-a-kind beauty can be taken in. The model’s breasts are perfectly symmetrical and the area just below her naval is all natural but well-maintained. The inlaid geometrical pattern of the woodwork on a door in the background adds interest to this photograph though Tanya is able to hold the attention of the most discriminating connoisseur of feminine beauty.
Voronin is not remiss in giving viewers the opportunity to admire the voluptuous curves of Tanya’s full bottom. Tanya is photographed standing with her back toward Voronin’s camera with the light behind her. The model’s fiery red hair appears as if it is lit with the shimmering of light woven throughout the edges of free flowing tendrils. Tanya’s long mane trails down her back and rests at the small of her back just above the place where her buttocks begin. The model’s thighs are slightly apart so that the light settles also in that secret place between her legs.
New Exclusive Series – Octavia in ‘Indi’
Are you one of those guys who dreams of meeting a wood nymph in the wild, someone who shows you all the secrets of feminine nature? Then meet Octavia.
Feature Movie – Katka in ‘Gold’
One of the most popular models on the web in recent months, Katka can be seen in this new movie lounging beside a stream, looking as "golden" as ever.
Best of FEMJOY - Armida in ‘Chardonnay’
Born in the temperate wine region between France and Austria, Armida is the image of bounty and ripeness as she squeezes her potent vintage into our hearts.
The FEMJOY Difference – Interactive Pixel Thumbs
Did you know that FEMJOY is the web’s unparalleled 100% nudes site, offering only the highest quality nudes taken by a wide array of top professional photographers?
For long-time members of Met-Art, Andrea has been a constant fixture of beauty. We have seen her grow up from a gangly young model to a blossoming young woman. And we have seen many sides of her all too perfect form.
There is the early Andrea, when she is barely over 18 and looks like a young coed fresh from her graduation. Her limbs are long and lanky, her hair is golden bright, and her female attributes have yet to fully develop.
Then there’s the middle Andrea, as she starts to come into her own as a famous model. She seems more confident, more glamorous, though she still has that elegant natural flair. She is also filling out more, with riper breasts, darker nipples, fuller thighs and buttocks. She is a peach at the peak of its perfection.
Then there is the recent Andrea – perfect in every way, more mature, totally confident, and thoroughly and captivatingly glamorous. She seems more aloof, having worked in front of the camera often. Fans of the early Andrea might feel as if she was getting too distant from the experience of offering her perfect nude body to the eyes of millions. Well, if that’s how you feel, take another look!
Because the old Andrea (in this case the young Andrea) is back! And she is finer and fresher and freer than ever! This new series – Forever – shows Andrea as she’s never been seen before!
Here you can see her losing all her seriousness and busting out in a smile for the camera, as if she’s sharing a private giggle with the photographer. You can see her lounging lazily, naturally in a field, carelessly showing off her delicious features, like there were no camera for hundreds of miles! And you can also see her non-chalantly removing her fur coat, just as if she were getting ready for a shower. In other words, these are precious rare candid moments of the perfect beauty!
The secret to a great photo shoot is achieving intimacy between the model and the eventual viewer. With that standard, this shoot is an A++. You get to see Andrea as she truly is – a little bit silly, a little bit shy, and a whole lot of beautiful! If you think you’re man enough to handle it, take a step into Andrea’s private viewing booth and get up close and personal with the model of your dreams!
New Nude Magazine: Raymond Erbs
Juman is youthful and unpretentious in this latest offering by Voronin. The model wears only a hint of cosmetics and her hair is simply pulled away from her face with a barrette. She wears no jewelry except for her trademark belly button charm – she is rarely photographed without this adornment. This film provides a very natural and intimate look at one of the absolute beauties of Met-Art.
Voronin uses a mirror shrouded in shadows to create some stunning visual effects throughout this film and the still series that accompanies the movie. The presence of Juman is often doubled as she moves throughout an intimate setting of a sitting room. This is a photographic device that Voronin is a master at using in his work.
Juman poses with a long black net scarf. She is nude from the opening of the film so that her exquisite flesh can be surveyed. She sits upon the floor in front of a mirror. This gives viewers the chance to admire her gorgeous buttocks as she smoothly lunges on her hands and knees towards Voronin’s camera. Juman’s countenance is very expressive throughout the film. She is sensual and confident.
The soundtrack of this movie is very soft and unobtrusive. It compliments the gentle charm that Juman exudes throughout the film. The music is like a whisper cradling the model as she performs for Voronin’s camera – and for Met-Art viewers.
Juman moves to a sofa as the film progresses. She uses the ebony scarf to accentuate the curves and lines of her body. The model reclines along the top of the sofa, stretching out the full length of her body. Her perfectly manicured hands caress every aspect of her unblemished physique. Voronin offers a myriad of angles and views of Juman as she writhes passionately upon the couch.
The lighting used by Voronin is bright. This provides a crisp and vivid view of Juman’s youthful allure. Powder blue walls provide a colorful backdrop for the majority of the movie. The sofa is a patchwork of blues, lavenders, and other muted colors. This subtle pallet adds to the gentle ambiance of the entire movie.
While Andrea has appeared in numerous photo series on Met-Art, providing over 1,000 images and almost a dozen videos for our members to enjoy, there remains a mystery as to exactly WHY she is our most popular model over the years. What is it that makes this slender, somewhat serious blonde the perfect Met girl? In response to that question, we polled several photographers to give their opinion on what makes Andrea “almost too perfect.”
Photographer 1 (Russia) – “For me, it is Andrea’s physical proportions that make her so perfect. She has very long arms and legs, giving her that youthful, somewhat awkward look that reminds us of girls we were in love with in our extreme youth. Her breasts are perfect – not too big and not too small. And her face is cute and alive and with the perfect eyes and lips. And of course, there is her butt, which could not be rounder or more appetizing. But most of all, there is her hair. When you see the photos of her with her blonde hair hanging down beneath her cheeks, that is pure perfection.”
Photographer 2 (Italy) – “Andrea is simply more aware of her sensuality than any other model on Met-Art, with the possible exception of Koika. And a comparison of the two shows why Andrea is in a sense more perfect for an art photography site of Met’s caliber. Koika is very sensual, and very overt with her body. She enjoys showing it off, you can tell she wants you to look at it. With Andrea, none of that is there. When you look at an Andrea photo, you feel like an innocent voyeur. She acts like she does not know you are looking, though you somehow feel she knows and enjoys it. She is shy, but not painfully so. She is just naturally nude, simple like in nature, and that is what is so exciting about her. No pretense, just perfect.”
Photographer 3 (England) – “I have personally enjoyed every photo I have ever seen of Andrea, and I can’t say that for any other Met model, though with many of them I enjoy almost every photo. Andrea has so many looks, so many ways of posing, and she is so understated, yet so sexy, with her body. She is a pure coquette, dainty and adorable, yet you can also tell she is a woman, eager for the wiles of love. I simply think she has the best body and the best spirit of any model.”
So, there you have it from the experts. The essence of Andrea. Beauty, spirit, and purity, all combined in one perfect girl.
Liza and Jenya are two models that Voronin photographs regularly, yet the finished products of their galleries are continually refreshing and riveting. This series combines the talents of both models while revealing the intimate closeness the two share. The fairness of Liza’s hair and eyes contrasts boldly against the darkness that dominates Jenya’s good looks. Liza and Jenya capture the essence of light and darkness with their combined presence.
Liza wears lime green lingerie with scarlet accents to compliment the scarlet bra and panty set worn by Jenya. The long shapely legs of both models are clad with leggings. Liza and Jenya each wear high heels that further emphasize their tall slender physiques. As the photo shoot progresses, black satin ribbons encircle the model’s necks. They retain their sexy stockings until the end of the photo shoot.
The photograph introduction to the series is astounding in the way that the model’s physiques are emphasized. The two are pictured standing atop a bed against a backdrop of mint green walls. They are posed in a suggestive stance. Liza is positioned behind Jenya. Liza pulls at the dark-haired model’s long thick mane as shadows outline the unbelievable curves and lines of the two women’s bodies.
The next picture is from the opening of the photo shoot. Both models are dressed in lingerie. Jenya pulls Liza close to her with the placement of her manicured hand upon the blonde’s forehead. Jenya’s face is pressed against Liza’s hair. Liza crosses one of her arms over Jenya’s body and pulls the model closer to her by pulling on one of her hips. The models’ legs are intertwined to suggest an overwhelming sense of intimacy.
The third photograph highlighted from this collection speaks volumes even through the medium of still photography. The two gorgeous women are pictured in a kneeling position upon a bed. They lean toward one another, close enough for one of Jenya’s breast to graze one of Liza’s slender arms. Both women lock eyes with Voronin’s camera as Liza poses with a single finger pressed to her lips. It is the universal message of “Shh … this is our secret.” It is as if the models are inviting viewers to participate vicariously in their rendezvous under the condition that their erotic tryst is kept under wraps.
The forms of Liza and Jenya are again showcased in the final photo selected from this gallery. Jenya’s muscular abdomen is one of the focal points of this photograph. The flaxen-haired model has a body that is toned beyond belief. Jenya’s voluptuous body is positioned slightly behind Liza. She holds onto one of Liza’s shoulders and places her open mouth upon one of Liza’s shoulders in a carnal gesture. This is theme that dominates the entire series.
Anna, the “radiant beauty” in question, is an immaculate study in sensual understatement. Or, as one might have it, she is the very essence of the maxim, “less is more.” For by doing almost nothing but standing before the camera and moving slightly some small part of her body, or removing some bit of clothing, or making some subtle facial gesture, Anna is able to achieve that “radiance and beauty” for which she is so famous.
For instance, take one of the first photos in the series. Anna is standing, her back to the camera, with her head peering back over her shoulder. Nothing much is happening, but she is ever so subtly lifting her dress to expose her right buttock. There it sits, dimpled and delicate, round and delicious, like a magic apple.
Or look at a middle shot. Sitting against a bare brown brick wall, Anna seems to be locked in the basement of some cruel lascivious monster. Yet she is crisply made up, with her hair very elegantly done and her look clean and fresh. She is sitting there, looking ever so slightly away from the camera, feigning disinterest. Her silk teddy has one breast down, exposing its budding secret. And her thighs are open, though only slightly. Subtle gestures evoking deep passions, all.
Or take an end of the series photo. In this one, the adorable Anna is down on her back. Her legs are in the air, propped against the wall. One heel is dangling off. Her alabaster smooth golden skin glistens in the basement light. She is looking down at the camera, gingerly puckering her lips. And the fingers of her left hand dangle down, as if she is casually holding some invisible champagne glass. Even in this gentle pose, so exposing and so available, Anna is the demure, subtle temptress who barely moves and the world explodes with adoration.
With the Internet and erotic sites so littered with gaudy, over the top pornography, isn’t it a joy to look at a girl like Anna and see her doing so much with so little? She is a true nude genius. She is able to give us so much by making the tiniest gestures of erotic interest and display, and the sensation is all the more thrilling for this means of exposure. A girl like Anna is able to remain both virgin and vixen, temptress and tease, innocent and experienced at the same time. She’s the kind of girl you’d like to take home to your mother, and then you’d like to take her up to your room.
Zuzana is a free-spirited teen model recently discovered by Jan Kruml. This young woman embodies vitality and exuberance. These qualities of Zuzana are portrayed throughout this gallery that is full of movement and dazzling artistic merit.
The model first appears wearing a flowing white spaghetti strap blouse and jeans. Her chestnut hair is smooth and straight. It glistens in the soft evening light. Kruml has chosen a field of wildflowers in which to capture the loveliness of this model. It is an excellent choice because Zuzana has the room and the freedom to truly express her personality.
The cover photograph from this series captures Zuzana in motion. The model has shed her clothing and is running through the field with her long hair swirling around her. Zuzana’s brilliant smile and shimmering complexion is radiant. The smoothness between her thighs is captivating.
Kruml opens the series with photographs of Zuzana casually dressed. The model smiles openly and invites viewers to join her in her evening romp through the secluded field. Zusana holds a bouquet of wildflowers in her hands and tilts her head and hips slightly to one side. She is the epitome of innocence and budding womanhood.
Kruml displays his formidable artistic talents in a succession of extremely focused photographs. The composition of several photos in this series revolves around specific parts of Zuzana’s physique. The photographer is adept at creating works of art with this style of photography. Kruml focuses on Zuzana’s breasts, torso, and the area between her thighs as the she removes her jeans. Purple flowers decorate the corner of the picture and the model’s long hair glows with highlights of auburn. The photographer focuses even more closely on Zuzana’s female anatomical parts in several more explicit photographs of this series. The effect is tasteful and artistic.
The final picture of Zuzana discussed in this essay reveals the model’s full round buttocks. Zuzana has her jeans partly removed to expose her backside. She casts her gaze over her shoulder in the direction of Kruml’s camera but there is some distance between photographer and model. The expanse of the field is evident in the background but Zuzana is clearly the focus of the picture. A profile of one of her breasts is captured. Again, the model’s lovely smile is present in this picture.
Ashanti is mesmerizing in this photo shoot that unfolds in a remote location of sandy terrain, sparse wild grasses, and trees. The natural setting enhances the innate loveliness of this young model. Ashanti possesses the type of beauty that is timeless. Fedorov has used bright sunlight throughout the gallery to deliver a set of fresh photographs.
The model’s chestnut hair is pulled away from her delicate face in the opening photographs of this series. This hairstyle allows viewers to appreciate every detail of the maiden’s sweet face and soft features. The model lounges upon a sandy hill and pale blue skies simmer in the background of each photograph.
The white lingerie that Ashanti wears is composed of several pieces. A teddy with garters clings to her slender torso and firm breasts. The garters are attached to white thigh high stockings that are made from the same material of the teddy. White string bikini panties and fingerless white lace gloves complete the ensemble. It is easy to understand why Fedorov chose to name this series “Lingerie.” Ashanti appears sensual, soft, feminine and alluring in the attire. She embodies all of the qualities that lingerie is meant to enhance. Fedorov has done a superb job of carrying out this theme.
As the gallery unfolds, Ashanti loosens the tie that holds her long streaming hair that is streaked with blonde highlights. Fedorov gives viewers several close up photographs in which Ashanti’s superior beauty is showcased. Her steely blue eyes glisten. The winds and bright natural sunlight blend perfectly with Ashanti‘s presence. The land is unspoiled like the model’s youthful beauty. The simplicity of the background allows Ashanti to take center stage throughout the series.
Ashanti’s youth and the pure white lingerie she wears lead one to imagine that the model possesses an innocent nature. Fedorov captures another side of Ashanti, however, in several of the photographs. The young woman poses on her hands and knees and an expression of strength seems set upon her face. Perhaps this young damsel isn’t as inexperienced as she appears at first glance. It seems she may know exactly what she wants and possess the determination to get it. Ashanti knows how to teasingly reveal parts of her body so that viewers are left hungry for more. She skillfully stretches and arches her form so that each curve of her body becomes pronounced and noticeable. Fedorov and Ashanti have created a series layered with intriguing elements.
In this second installment of the "Liaisons" movie series, we are again treated to a sophisticated and sensual display of temptation, as our delicious petite model poses for the camera in all the right ways, assuring our desire to rise from our thrones and attend to her passion.
The movie starts with a tight close-up on the model’s beautiful, round, cutish face, and one sees that her ripe lips are red with gloss, she is wearing a black choker necklace, and beneath her neck there are barely enough clothes to even cover her smallest parts.
As the camera stays in tight, she rolls over to her stomach, and we gladly see that she is wearing no pants or panties. Her round, bare, soft behind is rising up and down into the air, as fresh as a new peach, ripe for the plucking.
The camera then pans out and we see that our model du jour is comfortably situated in a sort of messy, rural cabin. The bed on which she’s posing almost seems like a couch opened up, and it is draped with a motley collection of disheveled blankets. "Someone’s been sleeping in my bed," said the adorable Goldilocks.
The camera then makes all the right moves and pans out. Our young talent is straddling its gaze, each leg fading out of the frame on each side. Dead center is her exposed pleasure spot. From behind we watch her thrust and gyrate, simulating passionate union. It is a tempting, delicious image.
With the langour of an exhilarated but exhausted lover, this skinny beauty lounges about for a while on the sheets, rolling around like a cat in the dawning sun. Her slender limbs are exquisitely long, garnished as they are with fine white fishnet stockings.
Soon, however, she’s up in a squatting position, her legs spread out beneath her, and her delicate no-doubt moist sex center is thrusting against the bed, seeking release. In the ancient world this was known as the "wide open yoni," perfect for deep penetration. And our little sex doll seems to know it. She holds this position for quite some time, staring longingly into the lens, beckoning us to come to her to finish the job.
As the camera fades, we watch her lips pout in a "come hither" way, and her eyes twinkle with the expectation of our arrival.
For thousands of years, scholars of the sensual have wondered of the secrets to profound physical experience. Many of these teachings are summed up in works like the Kama Sutra as well as other ancient sensual texts of the Orient. If one can distill eons of wisdom into a few small maxims, it might be said that there are three competing camps of philosophers when it comes to attaining erotic excellence. These groups ascribe to one of three principles – minimalism, extremism, and middlism.
The minimalists generally believe that erotic excellence lies in the simple, natural expression of physical intimacy. When a man and a woman experience each other at an intimate level, nothing more needs to be done. They should simply follow their instincts, and the resulting sexual encounter is usually simple, direct, and satisfying. This camp believes that marriage and basic, "unperverted" pleasures make for the most satisfying sex life.
The extremists on the other hand believe that nothing is too far out to try, and if some sexual method is known to a couple, it is that couples’ responsibility to try it. This group advocates all sort of sexual experiments – S & M, odd positions, and sex in wild places. To this group, the essence of excellent eroticism is going as far out on a limb as possible in search of that elusive "height of ecstasy."
In between these two camps, and at the point where we thematically encounter the series in question, Balance and High Heels by A. Fedorov, are those in favor of balance, or the middlists. To this group, cutting a middle ground, taking the center path, is always the smartest route. In a sense, Fedorov is paying homage to this theory with this series. The model, a beautiful, stunning, statuesque specimen of feminine power, is balancing on her high heels, and what is so thrilling about it is that she is "striking a pose," that she is keeping her balance in such a precarious position.
By looking at these photos, one can gain access to the mystical lore of the middlist position, and hopefully learn a thing or two about the art of making excellent love.
Wu Weiqui is a model whose beauty is enticing and refreshing. Her dark sleek hair crowns her delicate features that are expertly captured by Fan Xue Hui. The landscape pictured throughout the series as a backdrop to Wu Weiqui’s charms is equally breathtaking and emphasizes the exotic allure of this young woman. The photographer pictures the model inside of a brightly colored boat and lounging against the muted background of a lake and coastal homes. There is a definite sense of peace and tranquility that is an integral part of this gallery. This effect is achieved through the photographic talents of Fan Xue Hui as well as the timeless calming presence of Wu Weiqui.
The cover photograph presents Wu Weiqui’s natural physique as she stands upon a bridge with a several paths behind her. A misty haze hangs over a myriad of gorgeous trees of all shapes and sizes. Wu Weiqui is clearly the focus of the photograph. She commands the viewer to survey her pert symmetrical breasts, tapered waist, voluptuous hips, and stunning facial profile. The model’s stance emphasizes each line and curve of her body. Wu Weiqui’s sight is focused on something in the distance. Fan Xue Hui manages to provide an unobtrusive look at this young woman’s loveliness.
The next photo is also taken as Wu Weiqui stands upon the bridge so perfect in its simplicity. The model gazes directly at the camera. Fan Xue Hui gives viewers the opportunity to admire Wu Weiqui’s full round buttocks. The winding path behind the model seems to go on endlessly.
The next photograph focuses on the backside of Wu Weiqui as she stands amidst emerald grasses and greenery. The model stands with her hands at her sides and looks to her right as if something has caught her eye. Wu Weiqui’s facial profile is captivating. Fan Xue Hui uses the model’s natural surroundings to heighten her innate exotic appeal.
The final photograph from this series shows Wu Weiqui standing in the center of two endless rows of trees. There is something striking about the lined formation of the trees. The rigid rows are in sharp contrast to the soft curves of Wu Weiqui’s form. Her porcelain-colored flesh glows as the natural lighting washes over her nude body. The model slightly arches her back so that her flawless breasts grab the attention.
EuroHotties presents 12 new galleries: Ulya in: "Digis" by Voronin, Yolka in: "Pazzia" By Max Stan, Sandra in: "Black Rose" by Uranov, Olya & Lena By Goncharov. We also present our cult model Natasha, photographed by Gubin, as well as Liliane, a stunning Brazilian Model by Magoo, and Lidiya, a gorgeous girl, with a beautiful smile, photographed by Sunrise, and Anya, by Natasha Schon in "Temptus". Do not also miss Lena & Rita by Morenko, Yana by Sydious, Japanese Model Misato by Yousoudo, and Floriana, by Italian Photographer Gabriele Rigon.
Narkiss is a model who adores dressing up and exploring different personas. This series by Slastyonoff was an opportunity for the young blonde model to explore the make-believe world of a Japanese geisha girl. The traditional geisha is a woman trained since girlhood in conversation, dancing, and singing for the sole purpose of entertaining gatherings of men. Narkiss is adept in all of these areas despite her absence of Japanese heritage, so this series truly compliments all of the aspects of who she is.
The photograph selected by Slastyonoff for the cover of this series highlights the hallmarks of Narkiss’ appeal that regular Met-Art readers have come to appreciate. Narkiss has large blue eyes that reveal a hint of eroticism and untold secrets. Her generous ivory bosom compliments her slender physique and gives her the voluptuous figure associated since the beginning of time with feminine mystique. There is a naturalness to Narkiss’ beauty that can’t be replicated or faked – it’s something she achieves each time her image is immortalized through film. The model poses with her ebony polka-dotted robe opened to reveal her womanly physique. Her blonde tresses are secured with Japanese-inspired adornments. She holds a bamboo fan in one of her hands as an accent piece.
Slastyonoff offers a unique artistic photograph comprised of the most intimate aspect of Narkiss’ body. The model holds her fan to add interest to the photograph. The polka-dots that adorn the model’s robe add texture to the picture. The lighting chosen by Slastyonoff gives the explicit content of the photo a tasteful sense of softness.
The next photograph featured from this collection is composed of Narkiss posing upon bended knees. Her expression is one of reserve but her eyes rarely shy from the inspection of Slastyonoff’s camera lens. Narkiss’ exceptionally flat abdomen is unmistakable as the model is captured in this position. Her firm breasts are also a focal point of the photograph. Slastyonoff has chosen a neutral background for this photo shoot. The walls and flooring are an unobtrusive shade of beige. The effect results in Narkiss’ presence as the dominating factor throughout the gallery.
The last photo selected for review from this series gives viewers the opportunity to admire the smooth exquisiteness of Narkiss’ bottom. She lays upon her side with her derriere at the forefront of the photograph. Her robe is draped around the middle of her torso and the model maintains her eye contact with the camera. The classic beauty of Narkiss’ facial features commands the attention as much as the temptation to focus on her backside. This is the power of the allure this Click here To join Met-Art and become part of this exclusive world of timeless beauty
On sun-drenched sheets, as if the early morning hours were just beginning to peep over the horizon, Koika is awakening from a night of satisfying slumbers. It is summer. The birds are singing. There is a slight hint of moisture in the air, as if a storm might come that afternoon. Her eyes blinking, her limbs stretching, her mind still reeling with the night’s naughty dreams, Koika expands like a cat in the heat of the coming day.
Koika likes to practice her own brand of morning yoga. These exercises open up the blood vessels, relax the muscles, and get the “juices flowing.” Her type of yoga is one that conveniently doesn’t take her from the bed. All it implies is that she tumble about in her sheets completely naked, rubbing the pillows between her legs, the sheets across her nipples, and her fingers in her mouth. Lucky for us, there’s an observer’s deck!
Our lovely blonde nymph has a variety of positions that give her the most pleasure and provide her with the deepest stretches and vitality. Her favorite must be the “back flex.” In this position, she lies on her back, opens her legs up like a butterfly its delicate wings, and then raises her buttocks into the air, arching upward in a fit of faux arousal. When she performs this maneuver, it is a delight to see her vulva protrude from the ridge of her belly and to watch as her hipbones gently jut out from the meat of her thighs. Thrusting into the air, she gestures a salutation to the sun.
Another favorite pose is when she lies on her stomach, looks back at the camera, and then raises her buttocks into the air, opening up her yoni into the bright crisp air. Koika has always been one for “letting the viewer go deep,” and in this video she’s in fine form. Shaved and succulent,Koika revels in the experience of showing her innocent, juicy girlhood to the camera.
Lastly, Koika likes to sit up, her feet tucked under her like a purebred pooch, her breasts jutting out, and her lips in a tempting little pout. This, in Koika’s yoga terminology, is called the “kissing pose,” because it’s in this position she likes her man to stand above her so she can “kiss him” in all the right places. It’s also in this position that Koika’s gold-class breasts become so apparent, with their budding nipples sticking out like the tips on a baby bottle. Got milk?
If you’d like to watch some Koika yoga, all you have to do is download this movie. She’s waiting for you to watch!