Diana G ‘Merassy‘ by Koenart
I’ve had two previous experiences with this model, both shot by the same photographer. The first was her debut in a still photo gallery, the second was in a Metart HD erotic movie. I was impressed by both efforts, and the commenters were also lavish in their praise. Will the model/artist team be equally successful with “Merassy?”
Rather than draw it out or beat around the proverbial bush, my honest answer must be no. Diana G is still a very beautiful girl, and her gymnast’s body remains as lithe, toned, and superbly sculpted as ever. But for the majority of the series her face is locked in a single, difficult to read, expression. There are, however, fleeting moments when Diana chooses to alter her visage, and when she does, it changes her look entirely. In #105, for example, she’s on her back on the hardwood floor, looking right at the camera with those beautiful green eyes, her ripe lips parted in a gentle smile — it’s moments like these that elevate the set.
So, “Merassy” isn’t the absolute best work Diana G is capable of, but that’s not to say it’s without merit. If one looks beyond the lack of emotional range Diana offers, and concentrates instead on Koenart‘s more interesting compositions, there are absolutely some gems to be found.
A full body shot like #093 is hard to resist, for example, showcasing as it does Diana’s splendidly fit and shapely legs. But “Merassy” really shines when the artist concentrates on the model’s delicious details. There’s a wonderfully sculptural quality to #041, an image of the model’s breasts and torso. Another shot, #049, captured from behind and below, is boldly explicit with more of that sculptural artistry. And #066 captures Diana’s beautiful backside and delicate femininity against the crimson background of the leather sofa she’s posed on to splendid effect.
Preview Gallery: Merassy by Koenart
Art Nude Models: Met Art information.
