Diva A ‘Grifos‘ by Rylsky
I have always said that this girl is something special and her sweet type of beauty is always striking to me. Now we get to see her in motion in this movie and I’m happy this has finally happened.
Watching her work every inch of this entire set was mesmerizing. This is very erotic and it is artfully done. There is no question that this little lady is made of spring steel. Throughout this video she twists, bends and flows with such fluid grace that I am in awe. One could say that she didn’t move throughout this set she flowed from one sensual pose to another. Employing those well tuned muscles to make even seemingly impossible twists and bends flow from one to another with an ease that totally belies the physical strength and balance required to do them. She is so flexible and smooth I am left shaking my head in wonder again and again.
This combined with Rylsky’s prowess with a camera and the snappy music turned this set into a smokin hot seduction video that rates at the top of the videos I have seen here. Key to all this is her ability to tease.
The young woman doing the teasing here is a gifted expert in this erotic art form. Diva A can be more suggestive with a look in her dark eyes or a pout of her luscious lips than lesser talents can accomplish with their entire bodies. Consider this: the lingerie-clad Diva A doesn’t reveal so much as a breast until the 3:30 mark — a full third of the way into the movie. This girl, to employ the technical term, is hot — clothed or nude, or anywhere in between.
Director Rylsky employs an interesting set and some clever blocking. As “Grifos” begins, Diva A is descending a staircase. If you’re ever wondered if walking down a flight of stairs could possibly be sexy, you’re find your answer here. Once she’s reached the ground floor Diva is in a rather compact space. A slat-back chair occupies the foreground, and a gold column, which serves as a symbolic stand-in for a brass stripper pole, is off to the left of the frame.
First Diva works her way to a wall. Legs spread wide, she gracefully lowers her lithe body to the floor — I can’t adequately describe this move, but you’ll find it at 1:58, and it’s worth finding. She spends some time in the chair, something of a lap dance without a lap, then briefly and effectively “works the pole,” and winds up on the floor. There’s a moment, at 4:46, where she rises to stand and the lighting captures the elegance and physicality of her body absolutely beautifully.
The teasing continues. Diva works her magic with sultry confidence. And Rylsky, through clever pans, cut-aways, and lap dissolves, heightens the effect masterfully. Of course, a tease without a pay-off can be annoying, to say the least, and when Diva A ditches her panties the pay-off is well worth the wait — explicit images and erotically-charged action fills the final third of the production.
While much of the sexual energy here is generated by Diva’s body — have a look at the section right around 9:00 as she “works the floor” — much attention is paid to her face, and it’s no less sexy. “Grifos” is a real star turn for Diva A, and a wonderful piece of erotically-charged cinematic art from director Rylsky.
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