Contributing photographer Ivan Harrin has devoted much thought and effort in dressing and decorating the set for “Pasaule.” He’s created a stylized vision of a suburban backyard in late autumn. The lawn is covered with smooth stones, there’s a gold-painted end table and love seat, a broken trellis, a basket of apples, a trio of candles, several cushions, and some dead or dying vegetation. The lighting, while permitting ample detail in the photos, is subdued and muted, contributing to the autumnal feeling of the series.
Harrin then places Liuko A in this not entirely natural setting, clad only in a matching bra and garter belt of purple lace. Not an obvious choice, but the model has the looks and the charm to somehow make the somewhat jumbled concept come together.
Liuko A has worked with Mr. Harrin before. Indeed, all six of her Metart photo sets, and an additional Metart HD erotic movie, were shot by the artist, and it seems as if the two have developed a solid and enjoyable working relationship. I do get the sense that artist and model are enjoying the creation of “Pasaule,” and there are a handful of extremely spontaneous and candid images in the collection where one can easily imagine the laughter and playful conversation taking place during the photo session. In a shot like #099, the pursed lips and playful expression gives a sense of this dynamic between artist and model.
Liuko A isn’t at all inhibited and there are many bold and explicit images in this series. There are also several stand-outs among the tamer photos in “Pasaule,” and two of these “nothing showing” shots – #003 and #015 – are among my favorites because they artfully capture Liuko’s beauty and lively personality. #095, an explicit, everything showing shot of Liuko in repose, eyes closed and legs spread, is another favorite. My feelings about this set are mixed, but I do like Liuko A. What do you think? Please feel free to share your impressions in the comments, below.
Art Nude Models: Met Art information.
