When a new model is added to the site and appears in her first Met Art
The first time I viewed a Met Art erotic photo series featuring this model I didn’t realize it was actually her debut appearance and I was thoroughly impressed by her beauty and skill — and completely surprised to learn it was her first gallery. The membership was also impressed, and Macy B shot to the top of the Top Model ranks and has remained there ever since (she’s sitting at #7 as I write this post).
As even the quickest glimpse will confirm, Macy B has a rare and inviting type of physical beauty. But she’s also a gifted model with a knack for making her job look easy. In “Seraglio,” Arkisi has chosen to shoot her on an ornate and not entirely appealing sofa in a dark, somewhat somber room and Macy takes it in perfect stride, filling the space with her warm, bright energy and engaging spirit.
This is only my second chance to comment on a Macy B pictorial, but she has been working steadily, not just for Met Art, but for other sites in the MetArt Network as well. To date she’s posed for 4 sets at Sex Art, and she has 3 at RylskyArt, and 3 more at Eternal Desire. It will surprise nobody that Macy B is highly rated and immensely popular no matter where she appears.
I loved this girl the first time I saw her, and I love her in “Seraglio,” as well. Having said that, I don’t think this is her best set. The room isn’t particularly appealing, and the furnishings, as I’ve mentioned, are curious — the setting of her debut series was much more versatile and flattering, in my view. But we’re talking about Macy B, so there is much here to enjoy, make no mistake!
Favourites? Too many to mention, but here are a few highlights: #009 (that face, those dark eyes, those scrumptious puffy nipples); #025 (that expression, those lips, those eyes, the light on her shoulder); #078 (I love the pose and the painterly, soft-focus effect Arkisi employs here); and #115 (for its dreamy feel and the way the light and shadows bring out the contours of that beautiful body).
