Margot A ‘Mojave’ at Metart by Luca Helios

Margot A ‘Mojave‘ by Luca Helios

I have no formal training in the art or technology of photography. I have studied and dabbled in the medium on a strictly casual, amateur level. But I know enough to have abundant respect for those individuals who elevate photography to an art form. There is an immense gulf between simply “taking a picture” and creating something worthy of the descriptor “art.”

Let me add that I consider a major part of my assignment as Met Art blogger in residence to look for the good and praise it. Yet there are those times when I find myself questioning the choices an artist I respect makes with a particular gallery. “Mojave,” by Luca Helios, and starring Margot A, is one such gallery. The model is attractive, even striking in certain respects, and the location in scenic and intriguing. But certain choices Mr. Helios makes here compromise the collection.

Margot A poses on the sand at the edge of a vast lagoon, first in a pink bikini, and then totally nude. The shoreline, water, and landscape visible in the background is bathed in bright sunlight. The plot of sand Margot occupies is in shadow, however, lending a muted quality to the entire set. Without a towel or blanket to pose on Margot is soon covered to one degree or another with sand. Some may find this appealing. But anyone who has had the pleasure of sex on the beach — the act, not the cocktail — will tell you that gritty sand, moist femininity and sexual activity can make for an uncomfortable mix. This may be a personal problem. A little sand can certainly create a sense of place and convey the atmosphere. Here I feel that it “dirties up” the model. Oh, and Luca gets a little crazy with the tilting camera here, as well. With a crisp horizon line in the background how does the off-kilter composition enhance a shot like #056?

Margot A’s face is heavily freckled. I don’t mind this type of complexion, and her face, beautiful blue eyes, and smile are flatteringly framed by long, dark hair. She’s pretty, but with a natural, fit, active appeal. My main complaint is that she’d come across much more effectively if the artist had made some different decisions in the concept and execution of “Mojave.”

Those are my opinions, and you’re welcome to correct, condemn, or corroborate them. Please share your thoughts in the comments, below.