Two aspects in particular struck me as I began to examine the new Metart model debut, Presenting Olya Fey her face and her hands. Olya can’t help but project a warm, inviting, lively personality. There’s a light in her eyes and a smile is never too far from her lips she simply radiates an amiable, approachable, and appealing energy. She’s pretty, make no mistake, and made prettier still by the abundant warmth of her personality. She’s also blessed with exceptional bodily beauty. She’s lithe, long of limb, with pert breasts, and additional delectable details. And that brings me to her hands.
When I say she has happy hand I mean that her manual extremities are expressive, almost to a fault. I don’t know Olya Fey’s modelling history, but the way she uses her hands either reflects an acquired habit, a stylistic signature, or a lack of experience I associate with newcomers to the modelling profession. In #017, for example, Alex Sironi frames her in a close headshot, and her hands, fingers gracefully curved, float beside each side of her face. Enhancement or distraction? I lean towards the latter. Posing, pointing, framing or otherwise vying for attention, Olya’s hands make their presence felt in Presenting but without doing too much harm overall.
For such a sweet, natural, and warm girl, Sironi has chosen a rather formal, even stuffy, setting. Olya sits or stands next to an antique chair of leather and wood that’s been placed before an ornately decorated passage, with a similarly decorated bedroom visible in the background. But Olya, barefoot, is wearing a light and casual dress and blue necklace that are anything but ornate, stuffy, or antique a curious contrast.
Still, Olya’s personality and beauty easily overcome what quirks or quibbles I might find in ‘Presenting’. Her slender body is beautifully captured in #084 and #132, among others. Her natural sweetness gets a touch of spice with a peek at her nipples in the otherwise demure #003. She displays both her physique and attitude in #046. And Sironi delivers enticing explicit close-ups that capture moist perfection (#056) as well as stylish compositions like #058, and artful, stylish figure studies like #110. With her friendly face, beautiful body, and even her happy hands, Olya Fey is a most welcome addition to Metart.
