Miela A ‘Gazelle‘ by Koenart
Why did Met Art name this set Gazelle? Perhaps she is fawn like in her love struck gaze and pensive musing. I’m not sure why else!
As it opens, we find blonde and beautiful Miela A seated on pillows next to a window. She is writing a letter, it seems, and as she puts pen to paper we get a glimpse of her white panties under the short hem of her dress. This subtle but effective bit of tease sets the tone for the entire movie, and whets the viewer’s appetite for more.
Of course, a tease without some form of follow-through is one of life’s frustrations. But we need not worry about that, because “Gazelle” steadily offers up more and more of these tempting visuals.
With his restrained camerawork and adroit editing, Koenart maintains a pleasant pace with a satisfying amount of variety. Miela goes from clothed to topless in an eye-opening instant at the 1:20 mark, and her curvy, voluptuous body is a sight to behold. The fact that she then picks up her pen and continues writing goes further in establishing that this is not a homework assignment or a shopping list, but an emotional and amorous letter to a lover. A minute later, inspired by the words she’s just written, Miela removes her panties. And her thoughts of her unseen correspondent move her to continue writing, with pauses to pose, reflect, to tease the camera, and to tempt those in neighboring buildings by pacing back and forth, totally nude, in the large picture window.
This is a subtle yet entirely engaging visual experience. Miela transitions gracefully from thoughts of her lover to direct interaction with the camera. Close-ups and detail shots are seamlessly mixed into the leisurely pace. And highlights – like when she brushes her lips with a hank of her blonde hair at the 5:43 mark – pop up at exactly the right moments to keep the heat at a satisfying simmer. Now, if only someone could explain why it’s called “Gazelle.”
Her profile: Miela A
Art Nude Models: Met Art information.
