‘Vexo‘ is the third Met Art erotic photo series featuring this model that I’ve evaluated. I reviewed her premiere portfolio and my praise was as profuse as it was sincere. But my reaction to a subsequent appearance was considerably more muted. Will the third time be a charm?
Oliwia A has many appealing attributes, both physical and personal, and when she loads a bit of extra sincerity into her smile it is enough to melt one’s heart. However, in “Vexo” she relies a bit too heavily on that smile, and it feels the slightest bit hollow after prolonged exposure.
Oliwia A also has a very feminine, very curvy shape, and her intimate details are immaculate and inviting. But, as I’ve mentioned previously, there are aspects of her build — her breasts, specifically — that are problematic for me. Frankly, I can’t decide if that amble bosom is Mother Nature’s work, or perhaps had some mortal assistance. If this doesn’t concern you, feel free to dismiss my objections and enjoy ‘Vexo‘ to the fullest extent possible.
The set can be divided into two sections, both against the same background. In the first Oliwia is wearing (or removing) a print dress in a floral/zebra stripe pattern. It certainly adds visual complexity and texture, and photographer Alex Sironi seems to enjoy working with it — he includes a close shot of Oliwia’s hand against the fabrics (#004) and also achieves a playful and engaging headshot when the model partially hides her pretty face behind it (#039).
In the latter portion of the pictorial the garment is gone, Oliwia A is totally nude, and the white brick walls and heavy, dark wood, piece of antique furniture she’s posing on and in front of makes for simpler, more pleasing compositions. Explicit poses are offered in generous numbers and while Oliwia A‘s admirers will find much to linger over in ‘Vexo‘, my opinion continues to evolve. What are your reactions to this gallery? Please feel free to share your thoughts in the comments, below.
Art Nude Models: Met Art information.
