Paloma B ‘Aprey‘ by Rylsky
A minute or so into Rylsky’s latest Met Art HD erotic movie, “Aprey,” I wasnt’ sure what would happen. This part is very sexual and explicit. The model is totally nude after only a minute, and in her case this is a very good thing. And the setting, a room with elaborate silver-patterned wallpaper and an equally ornate antique sofa is visually interesting without being too busy. But the lighting is quite uneven — the left half of the frame is dark while the right side sports a bit of glare, in between the model is veiled in the dimness. If “Aprey” had remained in this space for the duration of the production it might have proved problematic.
However, just before it hits the 3-minute mark, the setting changes — completely. Now Paloma B is in a new room, with a different couch, in a different outfit — a pink satin top over a black bra and dark brown tights. Watching as she teases her breasts out of her bra at 3:45 or so is one of the highlights of this segment. This depicts Paloma in a more sophisticated, sensual way drinking her wine while on the couch with much less nudity.
The third change of scene happens at about 4:10. This is for more girl-next-door but with a striptease feel about it. Now Paloma B, wearing a T-shirt over a pair of teal shorts, is holding a compact and using the mirror to apply lip gloss while seated at a vanity. Her hair is sleek and pulled into a single braid and she directs her composed attention directly at the camera before adjourning to the third, and final, couch of the film. Off comes the T-shirt, shortly thereafter she playfully kicks off the shorts, and we savor unobstructed views of that delicious, young body. Even when she puts her outfit back on we’re treated to additional explicit shots and “Aprey” reaches a satisfying conclusion.
Paloma B is a delight to watch, by the way. She’s flirtatious without being obvious, and she moves naturally and unselfconsciously. Rylsky‘s camera captures all that cuteness from a variety of angles, and, apart from the lighting issues at the very beginning, he’s done an excellent job here. The music is also notable — the dreamlike soundtrack sets the pace and creates an extremely enjoyable atmosphere in “Aprey.”
