Andrea: ‘Noblesse’ by Voronin

Andrea C: ‘Noblesse‘ by Voronin

The beauty of Andrea is on display in this amazing gallery by Voronin. The fair-haired maiden regular Met Art readers may recognize shimmers like never before in this new series.

Andrea is one of those rare enchantresses whose charm and magnetism is effortless. Her aesthetic appearance transcends the common categorization of natural beauty. This young woman possesses the timeless qualities that have inspired poets and painters since the beginning of time. Her long shining tresses are classic rather than trendy. The soft natural color pallets of cosmetics upon her face are almost invisible to the eye. The title of this series and the content are reminiscent of a princess relaxing in her private quarters.

Voronin uses the devices of natural light and mirrors for breathtaking effects in the opening photographs of this series. Andrea poses adjacent to a large window while the camera captures her lovely reflection from a freestanding mirror. The young model wears a white lace loose-fitting blouse as she stands glowing before her reflection. The blouse exposes the gentle curve of her smooth shoulders and the sleek parts of her lower body. Her long hair tumbles down her back and leads the eye to the perfect curves that form her flawless buttocks.

The use of the mirror allows the viewer to at once admire the frontal beauty of this model as well as the beauty to be appreciated from her backside. Voronin has captured the multi-dimensional beauty of Andrea as she pirouettes gracefully in front of the full-length looking glass. She maintains an expression of thoughtfulness as she surveys the angles and planes of her form. She pulls her hair back to expose the sculpted features of her lovely face.

Andrea also lounges on a butter-colored davenport in front of Voronin’s camera in several of the pictures in this series. She retains the loose-fitting blouse throughout many of the photos, skillfully exposing various glimpses of her flesh as the shoot proceeds. The effect is like slowly unwrapping a piece of delicious fine chocolate. Andrea also stretches, bends, and crouches in various positions for the camera. Each position highlights her lithe and supple body in a different light.

The final series of photos in this gallery again use the device of natural lighting. The model has tied her long locks into a loose upswept knot. She has discarded the white shirt and poses nude upon a bed.  Several silhouettes of Andrea’s exquisitely formed breasts are highlighted in these photographs. Each shot is a perfect blend of softness and allure. Voronin and Andrea present an unmistakable winning combination of fine art photographs in this gallery.  

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