Julia Love 'Treasure' Metart

Julia Love by Paromov

This sweet young woman is a paradox of innocence and sensuality. Her doll-like face and ripe figure embody perfectly the pinnacles of female beauty. You’ll be charmed . . .

Lovely Julia is one of our most guileless young models. From the opening images of this series, in which Paromov poses her with a collection of pastel balloons, to the final scene, in which Julia stands, naked and carefree, atop a grassy hill overlooking a park, this gallery manages to capture fully the naïve sweetness of this charming young woman. Julia is one of those creatures who seems most at ease when unclothed: the most she wears during this shoot is a pair of innocent white panties and a pair of chunky flat sandals (after all, she needs to protect her tender feet from the roughness of the building in which she hides. She’s a young woman: she needs to be protected).

Julia’s face is perfect. The spacious beauty of her wondering, almond-shaped eyes, the snubbed button of her tiny nose, and the pearly perfection of her lips are all set in a face so heart-shaped and ivory-smooth that it might have been the model of countless dolls. Her two adorable pigtails, and the beauty mark over her lip, only add to her captivating essence. Her features are impossible to resist. Fortunately, Paromov knows what this lovely model possesses: you’ll appreciate what the photographer has done with this marvelous beauty.

The series is simple. Julia is reminiscent of some innocent farm girl, captured as she swings playfully through an abandoned building that she’s adopted for her own fantasies. The balloons that she wields early on in the shoot only add to the effect of this natural innocence: the young woman has not yet been damaged by the world. She is carefree, happy, innocent. The depth of the world can be found in her hazel eyes, but she seems blithely unaware of how compelling she is.

After treating viewers to a more intimate portrait of a pensive Julia – the young woman sits, with her knees to her chest, idling lost in her own unimaginably creative world – Paromov shoots her on top of a grassy hill. The contrast between the Julia in her own hideout and the Julia who poses so freely against the open air and the blue sky is striking. It’s striking, but it works. Sweet Julia is all these things, and so, so much more.

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